I can’t marry myself to one idea or one form of doing politics or one form of understanding politics.
BOCAFLOJAI think that in the colonial imaginary of the average Mexican, in how it drives us, the economic dependence on the US, and in some cases cultural dependence, is quite palpable, very strong.
More Bocafloja Quotes
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The whites have the responsibility to put themselves at attention with the form they operate in with people of color and try to always lay out that pattern to connect with people and say, “I am conscious of my privileges and I am accounting for myself.”
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A white leftist Mexican activist isn’t the same in the media as the son of a farmer in Guerrero, they aren’t worth the same.
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On the aesthetic level, decolonized music presents itself as a direct antagonist to the traditional values promoted by the culture industry.
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This is a theme that makes uncomfortable a lot of people, and it obviously makes the Latin American Left uncomfortable.
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We should remember what a rapper like Tupac Shakur was doing, to a certain degree, who came from an experience of politicization very close to being a “Panther Baby”.
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I think in terms of the themes that I have worked on most is establishing questions of race in the context of Latin America.
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What is MTV doing and what is the hegemonic culture industry promoting in gangsta rap? It is the glorification of violence for the sake of violence.
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And those families for generations have maintained themselves in positions of power. Latin America founded itself on everyone being equal, but in reality we aren’t.
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The racial question, and thus class struggle, of course, I think they are processes which necessarily are intersecting all the time.
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They don’t want to talk about race. The discussion for them is based on class struggle, rich against poor, but doesn’t offer the possibility of a dialogue about racial questions.
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So, we know who are the people that have the majority of power, access and privileges in Mexico, and they are white Mexicans.
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Every day of my life I have been in situations, not just in Mexico, in the US too, in which I identified the form of operation as racism.
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There are situations in which a smile, a laugh, a greeting are racist exercises.
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I believe gangsta rap, as such, in its foundation is simply anti-systemic and transgressive.
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I believe that music offers us possibilities for analysis, at least in my case, more profound in many ways, but at the same time that profundity is an accessible profundity that has atemporal repercussions.
BOCAFLOJA