“Poems are not easy to start, and they’re not easy to finish. There’s a great pleasure in – I wouldn’t say ease, but maybe kind of a fascinated ease that accompanies the actual writing of the poem. I find it very difficult to get started.”

I could look at you forever and never see the two of us together

The first line is the DNA of the poem; the rest of the poem is constructed out of that first line. A lot of it has to do with tone because tone is the key signature for the poem. The basis of trust for a reader used to be meter and end-rhyme.

The sense you get in a poem that the poet takes for granted an interest on the reader’s part in the poet’s autobiographical life, in the poet’s memories, problems, difficulties and even minor perceptions.

Robert Frost really started this whole thing rolling. He was, I believe, the first poet who started going to colleges. Before that, poets didn’t give public readings very often, certainly not – there was no circuit of schools.

I thought originally when I was in school and I wanted to be a poet, I knew that poets seemed to be miserable.

Poetry is like standing on the edge of a lake on a moonlit night and the light of the moon is always pointing straight at you.

You’ll find i-poetry, you’ll find that you can download poetry, that you can stuff your i-pod with recorded poetry. So just to answer the question that way, I think that poetry is gonna catch up with that technology quite soon.

I think the pleasure of form is that you have a companion with you besides all the poetry you have ever read.

I felt at some point that I had nothing to lose, and [laughs] maybe I was wrong. I think, you know, there’s always these little autobiographical secrets behind things. I think I was really attacking my earlier self, and this kind of pretentious figure.

Death is what makes life fun.

I think clarity is the real risk in poetry because you are exposed. You’re out in the open field. You’re actually saying things that are comprehensible, and it’s easy to criticize something you can understand.

The name of the author is the first to go followed obediently by the title, the plot, the heartbreaking conclusion,

You come by your style by learning what to leave out. At first you tend to overwrite—embellishment instead of insight.

In the process of simplifying oneself, one often discovers the thing called voice.

High School is the place where poetry goes to die.

I see the progress typical in some of my poems as starting with something simple and moving into something more demanding. This is certainly the pattern of weird poetry.

I do not write for a select minority, which means nothing to me, nor for that adulated platonic entity known as ‘The Masses’. Both abstractions, so dear to the demagogue, I disbelieve in. I write for myself and for my friends, and I write to ease the passing of time.

A meditative mind is at ease because it’s not trying to acquire anything.

I was weary and ill at ease, and my fingers wandered idly over the noisy keys.

And tracing the labyrinthine ways of your mind, the haphazard vagaries of your thoughts at ease,

What drives innovation is abundance and ease, not the pressure of scarcity.

The goal of a great democracy should be fulfillment, not ease. It should be adequacy, not serenity.

He who is satisfied has never truly craved, and he who craves for the light of God neglects his ease for ardor.

The saying goes, ‘The sage rests, truly rests and is at ease.’ This manifests itself in calmness and detachment, so that worries and distress cannot affect him, nothing unpleasant can disturb him, his Virtue is complete and his spirit is not stirred up.