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If you’re going to establish a certain level of unreality than you have to deal with it

Bill Sienkiewicz

If you’re going to establish a certain level of unreality than you have to deal with it
BILL SIENKIEWICZ

Certain Levels Unreality
But with comics you’re reading and assimilating an image simultaneously, instead of just reading or watching the tube
BILL SIENKIEWICZ

Comic Reading Simultaneously Tubes
But if I really want to produce my own work and tell stories, then I will
BILL SIENKIEWICZ

Artist Stories Want
And that, to me, is the main attraction to comics. It’s an avenue to say what you want to say
BILL SIENKIEWICZ

Artist Avenue Want
For a while I felt very alone; sort of out there in the world of comics, especially here in the States
BILL SIENKIEWICZ

Artist States World
After that I jumped, especially being in art school, to the illustrators.
BILL SIENKIEWICZ

Art Illustrators School
I want to say 90% of stuff out there is just crap that got made. The main point is that it got produced.
BILL SIENKIEWICZ

Artist Stuff Want
I wanted to be complete, because I figured that, visually, there was an avenue to explore with painted stuff
BILL SIENKIEWICZ

Artist Stuff Wanted
Cartooning is an honorable thing
BILL SIENKIEWICZ

Artist Cartooning Honorable
There is a whole generation of people who are going to see movies or watch TV who don’t want to work.
BILL SIENKIEWICZ

Artist Movie People
Do the story in the way it really demands to be done, which may mean using several different styles or only one style; but it’s still about respecting the story
BILL SIENKIEWICZ

Artist Mean Style
Nothing is really media driven or committee driven, so you can actually just produce something
BILL SIENKIEWICZ

Artist Driven Media
Especially with Elektra, because I’m doing a lot of the covers for the new version of Elektra.
BILL SIENKIEWICZ

Artist Especially Versions
So much of Jaws was amazing because the mind filled in what was missing.
BILL SIENKIEWICZ

Artist Filled Missing
I wanted to learn how to paint rather than just doing black-and-white work
BILL SIENKIEWICZ

Artist Black Paint White
To me, the technique was almost irrelevant; it was what was coming across.
BILL SIENKIEWICZ

Artist Irrelevant Technique

If you’re going to establish a certain level of unreality than you have to deal with it

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If you’re going to establish a certain level of unreality than you have to deal with it

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