“When I think about that I get stimulated and excited. It’s a feeling that you can’t label with words.”

I listen to Neil Young and jazz and classical stations and, if my girlfriend’s driving, it tends to be Hall & Oates.

A lot of my heroes are artists and a lot of my musical heroes have an artistic side.

That’s the most important thing, to get along with people. When you feel like you click with them.

I have always been a singer, a writer, and a musician, not as a prodigy or as in a trade handed to me by my parents, but because of an inner voice or maybe a command from beyond reality as it is usually defined.

Bob Dylan is quite a songwriter, and a great singer and musician. I won’t bother with comparing myself to him, but I will say that I heard his records at a very young age and I still listen to all his records.

I don’t like to have everything all worked out in my head because there’s always a chance of it coming out different than you think it should anyway.

I think everybody has a painter inside of them somewhere.

I have had UFO experiences, and yet, at the same time, I can easily be convinced that none of it is true. It’s hard to say whether or not you’re a believer.

It’s obvious you shouldn’t steal, kill or be cruel.

I don’t want to do children’s music. I write kids songs, but the kids songs I write are for my kids – like when I’m putting them to bed.

I’m always looking to rock out. But it isn’t really about rocking out versus being mellow, in terms of your personal satisfaction. In the end, you just want to be good.

You think you’ve made something really great, but there’s a reason why it’s not resonating the way some previous work did. But it’s not that easy to just replicate.

If I have more creativity that I want to get out of me, I try to find other ways than pursuing solo records so much.

This is a particular thing, you know, catholic stories of martyrs who had their head removed and then continued to be miraculous in the last moments of their life.

That’s more important even then what their background is or what they’ve done before, how good they are, how new they are or whatever. All that stuff is really secondary to just getting along with the person.

You should never rely on interviews with musicians as being factual.

To me, it’s all about inspiration. What gets me creatively excited is a challenge.

I’m still excited at being at a microphone and talking to listeners. I love that. It’s the most basic element of what I do and I still enjoy it very much.

Practice being excited.

I’m in the studio for hours in that tiny little box, and really, the performing part is what I’m most excited about.

Music does not excite until it is performed.

I’m excited to see where the Illuminati and whatever else might happen, how that works, and where it ends up.

In New York, I was excited about the music in New York because the only music that I was more or less involved with in the South was either country and western or hillbilly music as we used to call it when I was a kid and, ah, gospel.

The fans out in New Zealand are amazing. They’re genuinely excited and appreciative that you’re playing their country.