I knew if certain people recommended something, it would be good. There’s always going to be those people. It just depends on what they’re called: curators or radio jockeys or bloggers.
BJORKIf you wake up / And the day feels broken / Just lean into the crack
More Bjork Quotes
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There’s definitely, definitely, definitely, no logic to human behaviour . . . There’s no map And a compass Wouldn’t help at all
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Sometimes, when I have a lot of ideas and I want to do a lot of things, or when I’m traveling,
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Everything is so designed and airbrushed and Botoxed, it makes us think, ‘Oh, everybody’s perfect except me. Everything’s smooth except me.’ But nothing is smooth.
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Declare independence, don’t let them do that to you!
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I’ve never done an album like this. With Biophilia, I was being like Kofi Annan – I had to be the pacifist to try to unite the impossible.
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I get embarrassed listening to my last CDs. I’ve got a lot of work to do, let’s put it that way.
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If travel is searching and home what’s been found, I’m not stopping. I’m going hunting.
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I don’t expect people to get me. That would be quite arrogant. I think there are a lot of people out there in the world that nobody gets.
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Maybe that was a strange, personal job between me and myself, to show how overreaching I was being as a woman. The only way I could express that was by comparing it to the universe.
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I do try and wear stuff by unknown designers, and I make sure I pay because if nothing else I have money.
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When I was 18, science, physics, and math were my favorite. I was a bit of a nerd – the only girl with a lot of boys at chess championships.
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When I started writing, I fought against it. I thought it was way too boring and predictable. But most of the time, it just happens; there’s nothing you can do. You have to let it be what it is.
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I miss you, but I haven’t met you yet!
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When I write a song, I see a tunnel, and then the chorus is an open space, or the bassline is doing this shape. I see songs as a more of a geometric, spacial experience.
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National Geographic contacted me about getting on their label, and I was like, ‘Wow, I want to be label mates with the sharks and lemurs!’
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In 2008, I was more just thinking about using the touchscreen for writing the songs. From there I started thinking about how I visualised music.
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Icelandic people are really educated. But maybe we are at where the people in the States were 50 years ago, where they think that stuff that isn’t done with a hammer or physical power is not a job. It’s that backwards.
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With tons of chaotic supply on the internet, you’re going to have people who become very good at being curators or stylists. It’s the same sort of people that I used to go to record shops for.
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I think every year brings unknowns that you have to deal with and handle, confront and embrace.
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All we had ever heard about record company people is that they were vampires and criminals…and they killed Elvis Presley.
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You want people to take risks, and OK, they fail, but you don’t get the great stuff unless people are willing to risk and not play it safe. And maybe the Icelandic characteristic is better harnessed in these places than on the stock market.
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I love being a very personal singer-songwriter, but I also like being a scientist or explorer.
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There is this stereotype of Icelanders all believing in spirits, and I’ve played up to that a bit in interviews.
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How could I be so immature to think you could replace the missing elements in me. How extremely lazy of me.
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When I was a teenager in Iceland people would throw rocks and shout abuse at me because they thought I was weird. I never got that in London no matter what I wore.
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I have to re-create the universe every morning when I wake up, and kill it in the evening.
BJORK