Football is a fertility festival. Eleven sperm trying to get into the egg. I feel sorry for the goalkeeper.
BJORKI’ve been traveling in Guatemala in the rainforest, and here all these houses are made of sticks. It seems so easy to make one.
More Bjork Quotes
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The reason I do interviews is because I’m protecting my songs.
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You get inspired and you can go write one song from that, and then you go back and play a few shows. If I could’ve done that in the 90s, I would have.
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Pedaling through the dark currents, I find an accurate copy. A blue print of the pleasure in me.
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All we had ever heard about record company people is that they were vampires and criminals…and they killed Elvis Presley.
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I have a very happy, healthy relationship with the country, so it’s really easy to go everywhere because I always have Iceland to go back to. It’s sort of a contradiction, but that’s how it works somehow.
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I get embarrassed listening to my last CDs. I’ve got a lot of work to do, let’s put it that way.
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I’ve always had as many powerful, creative ladies in my life as I have men, and you could probably describe some of those relationships as romantic.
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I love being a very personal singer-songwriter, but I also like being a scientist or explorer.
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There is this stereotype of Icelanders all believing in spirits, and I’ve played up to that a bit in interviews.
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How could I be so immature to think you could replace the missing elements in me. How extremely lazy of me.
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It’s important at that age to set up something, and then maybe afterwards you can go study your violin for 500 hours a week. But at least in the beginning you know about the options.
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I’m not as religious as some people about “the album.” To be honest, that was a product of a format. You had vinyl, and you could fit five songs on each side, and that’s 45 minutes.
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You want people to take risks, and OK, they fail, but you don’t get the great stuff unless people are willing to risk and not play it safe. And maybe the Icelandic characteristic is better harnessed in these places than on the stock market.
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When I was 18, science, physics, and math were my favorite. I was a bit of a nerd – the only girl with a lot of boys at chess championships.
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I’m not that keen on fierce dictatorship. I think that sort of the point of working with somebody is them coming up with stuff and feeling free to do that.
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When I started writing, I fought against it. I thought it was way too boring and predictable. But most of the time, it just happens; there’s nothing you can do. You have to let it be what it is.
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When I was 20, political music was the uncoolest thing on earth. But when Bush got elected, that was the first time I started actually reading the news.
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I’ve never done an album like this. With Biophilia, I was being like Kofi Annan – I had to be the pacifist to try to unite the impossible.
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I definitely can feel the third or fourth feminist wave in the air, so maybe this is a good time to open that Pandora’s box a little bit and air it out.
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People from the rock and roll world have felt for years that electronic music had no soul, but now electronic music can not only have soul but have all the shapes in the world.
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If you were really good and practiced your violin for a few hours a day for ten years you might be invited to this VIP elite club.
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Love is a two way dream.
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I am grateful… grapefruit.
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I try not to record them on my Dictaphone when I first hear them. If I forget all about it and it pops up later on, then I know it’s good enough. I let my subconscious do the editing for me.
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I don’t expect people to get me. That would be quite arrogant. I think there are a lot of people out there in the world that nobody gets.
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When I write a song, I see a tunnel, and then the chorus is an open space, or the bassline is doing this shape. I see songs as a more of a geometric, spacial experience.
BJORK