“I think the pleasure of form is that you have a companion with you besides all the poetry you have ever read.”

It is as if one by one, the memories you used to harbor decided to retire to the Southern Hemisphere of the brain.

The pen is an instrument of discovery rather than just a recording implement. If you write a letter of resignation or something with an agenda, you’re simply using a pen to record what you have thought out.

Nationalism is a type of insanity in which the boundaries of a land replace God.

Another trouble with poetry – and I’m gonna stop the list at two – is the presence of presumptuousness in poetry.

There are just long gaps where I can’t find a point of insertion, I can’t find a good opening line.

As soon as I start to write I’m very aware, I’m trying to be aware that a reader just might well pick up this poem, a stranger. So when I’m writing – and I think that this is important for all writers – I’m trying to be a writer and a reader back and forth.

I write with a Uni-Ball Onyx Micropoint on nine-by-seven bound notebooks made by a Canadian company called Blueline. After I do a few drafts, I type up the poem on a Macintosh G3 and then send it out the door.

That’s the real question for me, is getting the reader into the poem and then taking the reader somewhere, because I think of poetry as a kind of form of travel writing.

Form is any aspect of a poem that encourages it to stay whole and not drift off into chaos.

I can’t picture myself starting out aiming to do anything or having much of an agenda.I think in writing a poem, I’m making some tonal adjustments, and it took me a long time to allow anything like fun into my poetry.

I think my work has to do with a sense that we are attempting, all the time, to create a logical, rational path through the day. To the left and right there are an amazing set of distractions that we usually can’t afford to follow. But the poet is willing to stop anywhere.

The really authentic thing about humor is that anyone can pretend to be serious. Anyone who’s ever had a job – in fact, we’re pretending to be serious now, more or less.

But my heart is always propped up in a field on its tripod, ready for the next arrow.

Listeners are kind of ambushed… if a poem just happens to be said when they’re listening to the radio. The listener doesn’t have time to deploy what I call their ‘poetry deflector shields’ that were installed in high school – there’s little time to resist the poem.

It’s time to float on the waters of the night. Time to wrap my arms around this book and press it to my chest, life preserver in a seat of unremarkable men and women anonymous faces on the street, a hundred thousand unalphabitized things a million forgotten hours.

I always think W.S. Merwin’s poems will last of anyone writing today. If I had to bet on posterity I would bet Merwin.

I don’t dislike any of my exes. If I took time to form a relationship, it’s gonna hurt when we move on, but are you puttin’ White-Out over all that beautiful time together? That was real time in your life. It’s connected to where you are today.

Grace is in garments, in movements, in manners; beauty in the nude, and in forms. This is true of bodies; but when we speak of feelings, beauty is in their spirituality, and grace in their moderation.

I think that if a United States of Europe were to be formed, it would be in our interests to fight for it, as all our old traditions would remain in such a united Europe, whereas if we were to start now as part of the Russian Empire, everything that had ever been in Germany would disappear.

By an image we hold on to our lost treasures, but it is the wrenching loss that forms the image, composes, binds the bouquet.

I always argued against the auteur theory; films are a collaborative art form.

I have always loved magic realism as a form of writing.

I love rearranging words and destroying language and the established forms of art and music/challenging the reasoning of others.

Keep it simple: In general, interfaces should use simple geometric forms, minimal contours, and a restricted color palette comprised primarily of less-saturated or neutral colors balanced with a few high contrast accent colors that emphasize important information.