“The body is a reservoir of all sorts of tensions and dark forces. And it’s also the potential source of amazing energy. This thing wants to live. It is a powerful engine.”

Art – when it is really doing what it should do – teaches abstract thinking; it teaches teamwork; it teaches people to actually think about things that they cannot see.

Movement begins to negotiate the distance between the brain and the body and it can be surprising what we learn about each other.

An artist should… bring into the world some vision. Dancers should ask, “What is their work in the service of?”

The brain (is) a reservoir of images, dreams, fears, associations, language. And its potential we can’t even begin to understand.

I…am an evolved being who deals solely with the source of light…in all of us in our own minds. No middleman required.

In figure painting, the type of all painting, I have endeavoured to set forth that the principal if not sole source of life enchantments are Tactile Values, Movement and Space Composition.

Opinion has a significance proportioned to the sources that sustain it.

I’ve been reading the books. It’s the origination, it’s the primary source. You should always go back to the books.

I’ve detected myself using a new rule of thumb: if you don’t link to primary sources, I just don’t trust you.

In terms of a narrative nonfiction book, when you’re describing scenes that you have multiple sources for, and that you have differing sources for, and you decide to choose a path that puts all that information together.

The only source from which an entrepreneurs profits stem is his ability to anticipate better than other people the future demand of the consumers.

Families, friends and communities often find a source of courage rising up from within. Indeed, sadly, it seems that it is tragedy that often draws out the most and the best from the human spirit.