When you talk about war on poverty it doesn’t mean very much; but if you can show to some degree this sort of thing then you can show a great deal more of how people are living and a very great percentage of our people today.
BEN SHAHNWhen you talk about war on poverty it doesn’t mean very much; but if you can show to some degree this sort of thing then you can show a great deal more of how people are living and a very great percentage of our people today.
BEN SHAHNHow do you paint yellow wheat against a yellow sky? You paint it jet black.
BEN SHAHNI confess that Roy [Stryker] was a little bit dictatorial in his editing and he ruined quite a number of my pictures, which he stopped doing later. He used to punch a hole through a negative. Some of them were incredibly valuable. He didn’t understand at the time.
BEN SHAHNI feel, having the choices I had, I felt I had more control over my own medium than I did over photography.
BEN SHAHNIt may be any one of an infinite number of concepts, none of which may have any possible bearing upon its degree of newness.
BEN SHAHNIt is an intimately communicative affair between the painter and his painting, a conversation back and forth, the painting telling the painter even as it receives its shape and form.
BEN SHAHNThe time when I had desire to go to the United States I didn’t have a penny. It was in the middle of the depression, you know. I couldn’t get as far as Hoboken at that time.
BEN SHAHNAll art is based on nonconformity … Without nonconformity we would have had no Bill of Rights or Magna Carta, no public education system, no nation upon this continent, no continent, no science at all, no philosophy, and considerably fewer religions.
BEN SHAHNWhat is it about conformity itself that causes us all to require it of our neighbors and of our artists and then, with consummate fickleness, to forget those who fall into line and eternally celebrate those who do not?
BEN SHAHNOnly an individual can imagine, invent, or create. The whole audience of art is an audience of individuals.
BEN SHAHNNobody had ever done it before, deliberately. Now it’s called documentary, which I suppose is all right … We just took pictures that cried out to be taken.
BEN SHAHNAn ametuer is an artist who supports himself with outside jobs which enable him to paint. A professional is someone whose wife works to enable him to paint.
BEN SHAHNThe artist is likely to be looked upon with some uneasiness by the more conservative members of society.
BEN SHAHNThe natural reaction of the artist will be strongly towards bringing man back into focus as the center of importance.
BEN SHAHNIt is not the how of painting but the why. To imitate a style would be a little like teaching a tone of voice or a personality.
BEN SHAHNI was primarily interested in people, and people in action, so that I did nothing photographically in the sense of doing buildings for their own sake or a still life or anything like that.
BEN SHAHN