I was in Italy, but completely in love with the nouvelle vague movement, and directors like Godard, Truffaut, Demy. ‘The Dreamers’ was a total homage to cinema and that love for it.
BERNARDO BERTOLUCCII left the ending ambiguous, because that is the way life is.
More Bernardo Bertolucci Quotes
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I think that what I learned then, I didn’t know I was learning. I just knew that I was very privileged to see somebody who was a writer, a great poet, and very smart-faced. Suddenly Pasolini becomes a director, so he has to invent cinema.
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Pornography is not in the hands of the child who discovers his sexuality by masturbating, but in the heart of the adult who slaps him.
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There was a sense of future that was the result of the mixture of politics, cinema, music, the first joints. And the movies were a very important part of that cocktail.
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I like to be in a huis clos, as the French say – in one place. It’s something that in general can create a bit of claustrophobia. But for me, claustrophobia becomes almost immediately claustrophilia. I love it!
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For example, Jewish directors coming from Germany or Austria and enriching Hollywood. In 15, 20 years, Hollywood became imperialistic. Cinema goes ahead when it is marriaged by other culture. Otherwise, it turns on itself.
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Sometimes you are in sync with the times, sometimes you are in advance, sometimes you are late.
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You know, in ten years you’re gonna be playing soccer with your tits, what do you think of that?
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The most important thing of all, the thing that lasted, was the first feminist movement and the position of women in society. That completely changed and that was very, very important.
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I don’t see my movies. I think it’s healthier and safer to keep a bit of distance. I’m afraid to be disappointed.
BERNARDO BERTOLUCCI -
Sometimes I think that I understand my movies after I make them. Really. I go very often off of instinct.
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I was writing poems when I was young, you know, because my father was a poet, so it was absolutely normal to follow my father.
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What happened in the late Fifties, early Sixties in French cinema was a fantastic revolution.
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As a loyal believer in the Auteur Theory I first felt editing was but the logical consequence of the way in which one shoots. But, what I learned is that it is actually another writing.
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New York has always embraced me.
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You live day by day. You can’t build your life.
BERNARDO BERTOLUCCI