My first, big, silly role at school was as Arthur Crocker-Harris in Rattigan’s ‘The Browning Version,’ where my job was to make school-masters’ wives weep with recognition.
BENEDICT CUMBERBATCHBecause reading is one of the joys of life, and once you begin, you can’t stop, and you’ve got so many stories to look forward to.
More Benedict Cumberbatch Quotes
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People always want to knock you when you’re up.
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I’m a high-functioning sociopath, do your research.
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I want to do it all. I want to climb mountains, go through jungles, fight wars in space, get the girl, shoot the bad-guy full of lead, have all the zippy one liners, bulge muscles out of a singlet, drip sweat and blood on screen, all of that.
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I genuinely don’t know Julian Assange well. To authenticate an opinion, I really would have to meet him.
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Talking about class terrifies me. There is no way of winning.
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Lines are very difficult to learn.
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The further you get away from yourself, the more challenging it is. Not to be in your comfort zone is great fun.
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Sherlock [Holmes] is on the side of the angels, but don’t think he’s one of them. He uses similar means, but it seems to be for a better purpose, one would hope.
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[Doctor Strange] is a really rich character. It’s an easy thing to have a good old meal every day. It’s great. Yeah, I’m excited.
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Those are more universal things than some of the characters I play, who are slightly sociopathic. I keep reminding people I can do ordinary.
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People’s hands fascinate me. It’s tempting to look at a businessman’s left hand and see if there’s an indentation from a missing wedding ring. Or maybe there’s a tan line and the skin is pressed down where’s he’s worked a ring off his finger.
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The awful lesson of history is that we too often ignore people, just because they’re foreigners or different from us.
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It will be obvious to anyone who sees it that he [Doctor Strange] earns that cloak. You think he’s doing all right and then you realise that there’s one massive lesson to learn.
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I can’t stop traffic on Fifth Avenue, not unless I walk in front of an oncoming cab.
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Scott Derrickson breathes humour into a character with a very strong identity in the ’60s and ’70s, that psychedelia era of Eastern mysticism meeting the West.
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