“I really worshipped Mama Cass a lot. Mama Cass, who was really fat and she didn’t lose weight. Yeah, she went on diets but for the most part of her life and the better part of her career she was a big person.”

High school wasn’t so bad though because, by then, I had worked out that there were far more nerdy kids and poor kids than there were rich, popular kids, so, at the very least, we had them outnumbered.

When I was a teenager I would lock myself in the bathroom for hours, bouffanting my hair like Patty Duke and trying to recreate Barbra Streisand’s flawless eyeliner, only to comb it all out and wash it all off before stepping out into the world a butchish bisexual teen.

I’m passionate about color. My best friend and I sit and look at Pantone books for fun.

To be thin and to stay really thin, sometimes some people literally do coke all the time. Some people smoke cigarettes instead of eating. That’s crazy. But that’s ‘okay’ because you look healthier.

I think it’s really cool that there are people like Adele on the cover of ‘Vogue’ and ‘Rolling Stone,’ and like I think it’s really important that people are talking about your body, because if they don’t, then you’ll never be able to break that barrier.

If you have a therapist who agrees with your every word, then your brain isn’t getting proper exercise.

I said to my teacher, ‘I can’t be a singer because I’m not pretty enough, and I’m fat.’ And she looked at me and said, ‘Tell that to Nell Carter, babe.’ That changed my life forever!

We have to stop this idea that we have to be a certain shape.

For my group of friends is Lady Gaga eye-opening? No. She’s a less dangerous version of what was so cool about pop culture in the 80s. Back then it was so gay and so punk in so many ways.

My size has helped make me an amazing performer too. The cliche of the Funny Fat Friend: I absolutely was that character – I am that character… It’s a complicated bag of tools I acquired, and I’ve put them all to work onstage.

I’m constantly thinking about what I’ll do next. I never count on music being a career of longevity. I mean, longevity is key, and I hope that it lasts, but you just don’t know, because it’s not in your hands, you don’t make the decision.

I mean, if I was living to please people, I’d have never been in a band at all. I wouldn’t have anything awesome around. I’d just be bored.

I knew that if I wanted to stop being a pushover I had to get comfortable with small rejections myself. That took some work, but because of it I can now say no to other people with a clear conscience.

Products are a must – full stop. I’m sorry to say it, but that bob won’t look so sleek on its own – you need a little help. It doesn’t have to be the high-end stuff that they sell in the salon. Products you find in the supermarket are just as good, and sometimes better.

I thought to be feminine was to give in to straight culture, or the beauty standard, but in my heart I had a flair for fashion and style. They were passions I kept secret because I didn’t understand I could love clothes and hair and makeup and still like girls.

I always was really confident about myself, about my voice, myself as a person, my body, all of those things, but as a songwriter – I just didn’t identify as a songwriter at all.

It took me a long time to get to where I’m at, in my career and as a man. I was going through my trials and tribulations in life, and it gave me the strength to tackle things that have come my way.

One of the reasons for The Walt Disney Company’s long- term success is really the first of Dr. Deming’s famous points, “create constancy of purpose.” In his professional career,

I’ve been fortunate in my career to have performed in revivals of great musicals and to have originated roles in musicals that have in turn been revived. And I’m not dead!

Don Knotts left [Andy Griffith Show] to pursue a movie career, so once he was gone I left too.

My voice had a long, nonstop career. It deserves to be put to bed with quiet and dignity, not yanked out every once in a while to see if it can still do what it used to do. It can’t.

In my career, there have been three things that were challenging: playing gay; playing a Jewish woman; and playing Anton Chekhov. The scariest part was playing Chekhov!

Don’t be afraid to ask people ‘why,’ ‘what if.’ Don’t be afraid to attack your career. Get in the game, don’t stay on the sidelines.

The failure of The Cable Guy impacted my career. I had to start writing and acting again.