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Sometimes they are a matter of luck; the photographer could not expect or hope for them. Sometimes they are a matter of patience, waiting for an effect to be repeated that he has seen and lost or for one that he anticipates.

Bill Brandt

I am not very interested in extraordinary angles. They can be effective on certain occasions, but I do not feel the necessity for them in my own work.
BILL BRANDT

Occasions Often Photography Simple Work
I am not interested in rules or conventions. Photography is not a sport.
BILL BRANDT

Conventions Photography Sports
It is part of the photographer’s job to see more intensely than most people do. He must have and keep in him something of the receptiveness of a child who looks at the world for the first time or of the traveler who enters a strange country
BILL BRANDT

Children Country Jobs Receptiveness Something
No amount of toying with shades of print or with printing papers will transform a commonplace photograph into anything other than a commonplace photograph.
BILL BRANDT

Paper Photography Shade
Andre Breton once said that a portrait should not only be an image but an oracle one questions, and that the photographer’s aim should be a profound likeness, which physically and morally predicts the subject’s entire future.
BILL BRANDT

Oracles Portraits Profound
A feeling for composition is a great asset. I think it is very much a matter of instinct. It can perhaps be developed, but I doubt if it can be learned.
BILL BRANDT

Asset Develop Leamed Photographer
It is part of the photographer’s job to see more intensely than most people do. He must have and keep in him something of the receptiveness of the child who looks at the world for the first time or of the traveler who enters a strange country.
BILL BRANDT

Country Jobs Photography Receptiveness
Very rarely are we able to free our minds of thoughts and emotions and just see for the simple pleasure of seeing. And so long as we fail to do this, so long will the essence of things be hidden from us.
BILL BRANDT

Emotions Essence Hidden Minds Most Pleasure Simple
Sometimes they are a matter of luck, sometimes of patience, waiting for an effect to be repeated that you have seen. It is usually some incidental detail that heightens the effect of a picture, stressing a pattern, deepening the sense of atmosphere.
BILL BRANDT

Details Height Patience Seen Sometimes
If there is any method in the way I take pictures, I believe it lies in this: See the subject first. Do not try to force it to be a picture of this, that or the other thing. Stand apart from it. Then something will happen. The subject will reveal itself.
BILL BRANDT

Believe Lying Photography
It is essential for the photographer to know the effect of his lenses. The lens is his eye, and it makes or ruins his pictures.
BILL BRANDT

Eye Photography Thinking
Photography is not a sport. It has no rules. Everything must be dared and tried!
BILL BRANDT

Everything Photography Sports Tried
The good photographer will produce a competent picture every time whatever his subject. But only when his subject makes and immediate and direct appeal to his own interests will he produce a work of distinction.
BILL BRANDT

Distinction Photographer Produce
The photographer must possess and preserve the receptive faculties of a child who looks at the world for the first time.
BILL BRANDT

Children Looks World
Photographers should follow their own judgment, and not the fads and dictates of others. Photography is still a very new medium and everything is allowed and everything should be tried and dared…
BILL BRANDT

Photography Sports
And only the photographer himself knows the effect he wants. He should know by instinct, grounded in experience, what subjects are enhanced by hard or soft, light or dark treatment.
BILL BRANDT

Dark Light Photography

Sometimes they are a matter of luck; the photographer could not expect or hope for them. Sometimes they are a matter of patience, waiting for an effect to be repeated that he has seen and lost or for one that he anticipates.

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Sometimes they are a matter of luck; the photographer could not expect or hope for them. Sometimes they are a matter of patience, waiting for an effect to be repeated that he has seen and lost or for one that he anticipates.

Related Topics

Popular Authors

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