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I’m not a nice girl. I’m a photographer.

Berenice Abbott

It is or should be a significant document, a penetrating statement, which can be described in a very simple term-selectivity.
BERENICE ABBOTT

Penetrate Photography Selectivity Simple Term
The photograph may be presented as finely and artistically as you will; but to merit serious consideration, must be directly connected with the world we live in.
BERENICE ABBOTT

May Merit Photography World
Furthermore, a good photographer does not merely document, he probes the subject, he ‘uncovers’ it.
BERENICE ABBOTT

Documents Good Photographer Probe Subject Uncover
I agree that all good photographs are documents, but I also know that all documents are certainly not good photographs.
BERENICE ABBOTT

Agree Certainty Document Photographer
The camera is no more an instrument of preservation, the image is.
BERENICE ABBOTT

Cameras Photographer Preservation
I took to photography like a duck to water. I never wanted to do anything else. Excitement about the subject is the voltage which pushes me over the mountain of drudgery necessary to produce the final photograph.
BERENICE ABBOTT

Duck Photography Water
What to me is anathema – a corpse-like, outmoded hangover – is for photography to be a bad excuse for another medium. … Is not photography good enough in itself, that it must be made to look like something else, supposedly superior?
BERENICE ABBOTT

Hangover Looks Photography
Let us first say what photography is not. A photograph is not a painting, a poem, a symphony, a dance. It is not just a pretty picture, not an exercise in contortionist techniques and sheer print quality.
BERENICE ABBOTT

Exercise Photography Simple
Some people are still unaware that reality contains unparalleled beauties. The fantastic and unexpected, the ever-changing and renewing is nowhere so exemplified as in real life itself.
BERENICE ABBOTT

Optimism People Photography Real
None. They should just go out and photograph and stop talking about it. That’s the only way they are going to find themselves. They can’t do it in their heads – they have to go out and do it in the camera and get it on film.
BERENICE ABBOTT

Cameras Talking Themselves Way
The photograph may be presented as finely and artistically as you will, but to merit serious consideration, must be directly connected with the world we live in.
BERENICE ABBOTT

Connected Live Photograph Serious
To chart a course, one must have a direction. In reality, the eye is no better than the philosophy behind it. The photographer creates, evolves a better, more selective, more acute eye by looking ever more sharply at what is going on in the world.
BERENICE ABBOTT

Mean Philosophy Photography
The idea was to interpret science sensibly, with good proportion, good balance and good lighting, so we could understand it.
BERENICE ABBOTT

Balance Idea Photography Understanding
The second challenge has been to impose order onto the things seen and to supply the visual context and the intellectual framework – that to me is the art of photography.
BERENICE ABBOTT

Art Context Framework Impose Photography Supply
The lens freezes time and space in what may be an optical slavery or, contrarily, the crystallization of meaning. The limits of the lens’ vision are esthetically often a virtue.
BERENICE ABBOTT

Photography Space Vision
I am so fascinated with this century it will help keep me alive. I’ll be there until the last minute, fighting.
BERENICE ABBOTT

Alive Fighting Lasts Photography

I’m not a nice girl. I’m a photographer.

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I’m not a nice girl. I’m a photographer.

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