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I don’t film messages. I let the post office take care of those.

Bernardo Bertolucci

Sometimes you are in sync with the times, sometimes you are in advance, sometimes you are late.
BERNARDO BERTOLUCCI

Late Message Sometimes Sync
New York has always embraced me.
BERNARDO BERTOLUCCI

Always Country Embraced
What I was talking about was, of course, very autobiographical – ’68 was the moment when all the young people were incredibly excited, because when we were going to sleep, we knew we would wake up not tomorrow, but in the future.
BERNARDO BERTOLUCCI

Autobiographical Future Important People Sleep Tomorrow
As a loyal believer in the Auteur Theory I first felt editing was but the logical consequence of the way in which one shoots. But, what I learned is that it is actually another writing.
BERNARDO BERTOLUCCI

Consequences Editing Loyal Shoot Writing
I think that Hollywood should also be influenced by directors from Hong Kong. You see how Quentin Tarantino is really the example of how you can develop, and how you can go ahead if you accept the existence of different cinematic cultures.
BERNARDO BERTOLUCCI

Ahead Culture Develo Example Interesting Thinking
I think that what I learned then, I didn’t know I was learning. I just knew that I was very privileged to see somebody who was a writer, a great poet, and very smart-faced. Suddenly Pasolini becomes a director, so he has to invent cinema.
BERNARDO BERTOLUCCI

Character Learning Privilege Reality Thinking
Sometimes I think that I understand my movies after I make them. Really. I go very often off of instinct.
BERNARDO BERTOLUCCI

Instinct Sometimes Thinking
A dolly move is a moral commitment.
BERNARDO BERTOLUCCI

Commitment Dolly Moral Moving
You know, in ten years you’re gonna be playing soccer with your tits, what do you think of that?
BERNARDO BERTOLUCCI

Soccer Thinking Women
What happened in the late Fifties, early Sixties in French cinema was a fantastic revolution.
BERNARDO BERTOLUCCI

Cinema Director Dreamers Revolution
This is something that I dream about: to live films, to arrive at the point at which one can live for films, can think cinematographically, eat cinematographically, sleep cinematographically, as a poet, a painter, lives, eats, sleeps painting.
BERNARDO BERTOLUCCI

Cinematographical Dream Painter Sleep Thinking
There you have Quentin playing with kung-fu. That’s why the independents are the most interesting.
BERNARDO BERTOLUCCI

Country Independent Interesting Person Playing
I was seduced by the nouvelle vague, because it was really reinventing everything. And the Italian cinema that one would see in the theaters in the late ’50s, early ’60s was Italian comedy, Italian style, which, to me, was like the end of neo-realism.
BERNARDO BERTOLUCCI

Cinema Country Seduced Style Thinking Vague
I was in Italy, but completely in love with the nouvelle vague movement, and directors like Godard, Truffaut, Demy. ‘The Dreamers’ was a total homage to cinema and that love for it.
BERNARDO BERTOLUCCI

Cinema Completely Homage Love Movement Value
For example, Jewish directors coming from Germany or Austria and enriching Hollywood. In 15, 20 years, Hollywood became imperialistic. Cinema goes ahead when it is marriaged by other culture. Otherwise, it turns on itself.
BERNARDO BERTOLUCCI

Ahead Cinema Enriching Example Hollywood Imperialisytic
Having no children had been a kind of choice up to the moment when, from a choice, it became a sadness.
BERNARDO BERTOLUCCI

Children Choices Kind Sadness

I don’t film messages. I let the post office take care of those.

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I don’t film messages. I let the post office take care of those.

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