I left the ending ambiguous, because that is the way life is.
BERNARDO BERTOLUCCII don’t film messages. I let the post office take care of those.
More Bernardo Bertolucci Quotes
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I am in love with the idea of doing a movie in 3D. I think 3D would be great for the story I want to do, in a realistic, normal story, using 3D on the emotions in a kind of intimate story.
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There’s no more film; now everything’s digital. I welcome this. It’s fantastic for me to have a new chance.
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The most important thing of all, the thing that lasted, was the first feminist movement and the position of women in society. That completely changed and that was very, very important.
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I am still against any kind of censorship. It’s a subject in my life that has been very important.
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I think that I used to love Hollywood movies. I remember great phases and moments. But, unfortunately, now is not the moment.
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I was seduced by the nouvelle vague, because it was really reinventing everything. And the Italian cinema that one would see in the theaters in the late ’50s, early ’60s was Italian comedy, Italian style, which, to me, was like the end of neo-realism.
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I accept all interpretations of my films. The only reality is before the camera. Each film I make is kind of a return to poetry for me, or at least an attempt to create a poem.
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I don’t film messages. I let the post office take care of those.
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To explore technology for me is something that I have to do. Otherwise, I feel completely left in the back… abandoned.
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I like to be in a huis clos, as the French say – in one place. It’s something that in general can create a bit of claustrophobia. But for me, claustrophobia becomes almost immediately claustrophilia. I love it!
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Young people now don’t care for politics. It isn’t present in life as it used to be. And increasingly I like films which reflect present-day reality.
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Sometimes I think that I understand my movies after I make them. Really. I go very often off of instinct.
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A monoculture is not only Hollywood, but Americans trying to export democracy.
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I was in Italy, but completely in love with the nouvelle vague movement, and directors like Godard, Truffaut, Demy. ‘The Dreamers’ was a total homage to cinema and that love for it.
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After many, many years, I fell out of love with politics. It’s not something I like but it’s the truth.
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New York has always embraced me.
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The movies I like are always movies where cinema is reinvented like if it was the beginning of cinema.
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As a loyal believer in the Auteur Theory I first felt editing was but the logical consequence of the way in which one shoots. But, what I learned is that it is actually another writing.
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You live day by day. You can’t build your life.
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I don’t see my movies. I think it’s healthier and safer to keep a bit of distance. I’m afraid to be disappointed.
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I think that what I learned then, I didn’t know I was learning. I just knew that I was very privileged to see somebody who was a writer, a great poet, and very smart-faced. Suddenly Pasolini becomes a director, so he has to invent cinema.
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For example, Jewish directors coming from Germany or Austria and enriching Hollywood. In 15, 20 years, Hollywood became imperialistic. Cinema goes ahead when it is marriaged by other culture. Otherwise, it turns on itself.
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What happened in the late Fifties, early Sixties in French cinema was a fantastic revolution.
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I haven’t made a movie for a while, but I’ve watched a lot. It’s my major waste of time. I like to work, but also to be waiting for work.
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The problem in Hollywood is that they try to become the only kind of cinema in the world, okay?
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Pornography is not in the hands of the child who discovers his sexuality by masturbating, but in the heart of the adult who slaps him.
BERNARDO BERTOLUCCI