“People are still people, and they make their decisions based on their life experiences and their beliefs. You really can’t divorce the two. It’s important to fight against stereotypes and oversimplifications in very complex people.”

I went to Julliard and we did a lot of mask work there, and I remember thinking in class, ‘When am I ever going to use this?

Maybe I’m naive, but I subscribe to the idea that nobody is actually making strategic decisions about their career. Trying to do that would be like playing three-card monte on Canal Street.

I’d consider myself a flailing comedy writer.

I only play projects with weird interpretations of presidents.

You learn history in school, and you have a reverential feeling toward it. But by being irreverent, it feels current.

I thought I was going to be a ballet dancer for awhile there. I had a good teacher at Interlochen, this arts’ academy in Michigan, who taught me the importance of storytelling, and I really responded to that. It seemed like a long shot, but I always play the long odds.

Every job is an opportunity to be a better person.

I’m just looking for things to steal [on working with great actors]. It’s like going back to acting school. When you’re around people that do it well and you get your head out of your ass, you can really learn something.

You never can take for granted that you have a job.

You never know when you’ll have a bad idea for a worse joke.

The vampire craze is kind of fascinating. We’re interested in the idea of immorality and I think we’re drawn to people or creatures who can give in to those base impulses and just be bad and not feel bad about it.

Even the greatest actors have had dry spells where they’ve wondered if they were going to work again.

You think of George Washington, this man who was larger than life, and in some ways he was. But at the same time, he’s just a person.

Don’t trust somebody that don’t have a troubled period.

The place I feel most at home is when I have health insurance. I really don’t care how I get it, whether it’s on film, or television or waiting tables, you know?

You know, 1% of us is in the armed forces, protecting the other 99, and they’re all volunteers.

Fear-based repentance makes us hate ourselves. Joy-based repentance makes us hate the sin.

The extreme proposition on which Giacometti based all his mature work was that no reality… could ever be shared. This is why he believed it impossible for a work to be finished. This is why the content of any work is not the nature of the figure or head portrayed but the incomplete history of him staring at it.

All your Western theologies, the whole mythology of them, are based on the concept of God as a senile delinquent.

The philosophy behind much advertising is based on the old observation that every man is really two men – the man he is and the man he wants to be.

The rap game is kinda crazy, so I go with the flow but make sure that I cover my bases and do whatever to make sure I’m good no matter what.