Actually, documentary pictures include every subject in the world – good, bad, indifferent. I have yet to see a fine photograph which is not a good document.
BERENICE ABBOTTThe photograph may be presented as finely and artistically as you will; but to merit serious consideration, must be directly connected with the world we live in.
More Berenice Abbott Quotes
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I believe there is no more creative medium than photography to recreate the living world of our time. Photography gladly accepts the challenge because it is at home in its element: namely, realism – real life – the now.
BERENICE ABBOTT -
If a medium is representational by nature of the realistic image formed by a lens, I see no reason why we should stand on our heads to distort that function. On the contrary, we should take hold of that very quality, make use of it, and explore it to the fullest.
BERENICE ABBOTT -
Imagine a world without photography, one could only imagine.
BERENICE ABBOTT -
The lens freezes time and space in what may be an optical slavery or, contrarily, the crystallization of meaning. The limits of the lens’ vision are esthetically often a virtue.
BERENICE ABBOTT -
I’m not a nice girl. I’m a photographer.
BERENICE ABBOTT -
Some people are still unaware that reality contains unparalleled beauties. The fantastic and unexpected, the ever-changing and renewing is nowhere so exemplified as in real life itself.
BERENICE ABBOTT -
Let us first say what photography is not. A photograph is not a painting, a poem, a symphony, a dance. It is not just a pretty picture, not an exercise in contortionist techniques and sheer print quality.
BERENICE ABBOTT -
What to me is anathema – a corpse-like, outmoded hangover – is for photography to be a bad excuse for another medium. … Is not photography good enough in itself, that it must be made to look like something else, supposedly superior?
BERENICE ABBOTT -
I took to photography like a duck to water. I never wanted to do anything else. Excitement about the subject is the voltage which pushes me over the mountain of drudgery necessary to produce the final photograph.
BERENICE ABBOTT -
The second challenge has been to impose order onto the things seen and to supply the visual context and the intellectual framework – that to me is the art of photography.
BERENICE ABBOTT -
I wanted to combine science and photography in a sensible, unemotional way. Some people’s ideas of scientific photography is just arty design, something pretty. That was not the idea.
BERENICE ABBOTT -
Does not the very word ‘creative’ mean to build, to initiate, to give out, to act – rather than to be acted upon, to be subjective? Living photography is positive in its approach, it sings a song of life – not death.
BERENICE ABBOTT -
I have yet to see a fine photograph which is not a good document.
BERENICE ABBOTT -
None. They should just go out and photograph and stop talking about it. That’s the only way they are going to find themselves. They can’t do it in their heads – they have to go out and do it in the camera and get it on film.
BERENICE ABBOTT -
The photographer is the contemporary being par excellence; through his eyes the now becomes the past.
BERENICE ABBOTT