“License to Kill’ is not one of the great Bond movies.”

I get more choices of things, projects, which is a blessing and a curse. I can only do one at a time. Sometimes you don’t know which way to go.

I’ve liked most of the films that I’ve been in and those are the kinds of films I like to see.

I trained as a theatre actor and you had a bare stage and you had to pretend, one prop and you are in the middle of 8th Ave. and traffic is just going by.

You deal with failure – strike, strike, strike – all the time. Acting is like that. You have to have a very thick skin in a way – your hair is too dark, you’re too ugly for the part, your audition wasn’t good.

I don’t think I could be a foot soldier. I don’t know if I could take orders too good. I’m a little lazy.

I think that the Oscar gives you some kind of guts or something, it gives you the illusion that you can do it. It’s good for business.

I’ve done a lot of movies, and you really never know. You do a movie and you think that it’s great, and then you see it and it doesn’t work.

I think having a vision can make someone an influential man. I’m not talking about acting or anything like that, I’m talking about people I admire, whether it’s a writer or a musician or a sports figure or a politician, whatever.

Am I getting better at making choices? Well, I think I might be getting better at reading scripts.

I used to play basketball and I was pretty competitive, but I was never a bad loser. I never got angry. For me it was always about doing my best and devoting myself to a challenge.

Regarding green screen, green screen is really like doing some stage work. You have to make believe that there is a window, make believe that something is there that is really not there and convince the audience. It’s part of acting.

Before I was ever in high school, I had dark circles under my eyes.

I won and I get to scream and jump a little. But I got to go back to work tomorrow.

To me the thing with ‘Grease’ was that it was the first movie that as a kid I wanted to get up and do what they were doing.

There’s something about the Oscar that gives you sort of stripes where you feel you can dare to walk into a studio like Universal and say, “Hey guys, how about an idea of me playing the wolf man?”

Before I was even in high school, I had dark circles under my eyes. Rumor was that I was a junkie. I have dark circles under my eyes, deal with it.

A free public broadcast license is a privilege.

Freedom is a loose leash, license to be different from your mother and still be loved…Freedom is…not insisting that your daughter share your limitations. Freedom also means letting your daughter reject you when she needs to and come back when she needs to. Freedom is unconditional love.

In most states you can get a driver’s license when you’re sixteen years old, which made a lot of sense to me when I was sixteen years old but now seems insane.

When liberty becomes license, dictatorship is near.

The scene is memory and is therefore nonrealistic. Memory takes a lot of poetic license. It omits some details; others are exaggerated, according to the emotional value of the articles it touches, for memory is seated predominantly in the heart.

You gave him a license to steal.

I can play with that opportunity or not. This is my right, or poetic license, as someone who is building an artefact of fantasy – this implicit pact with the reader is my starting point.

The wedding vows are a license to be a complete jerk.