My parents showed me by example that they could balance their work and family lives.
BEN MARCUSSuspense left my life a long time ago, now it has returned. I do not care for it.
More Ben Marcus Quotes
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To refrain from storytelling is perhaps one of the highest forms of respect we can pay. Those people, with no stories to circle them, can die without being misunderstood.
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My goal, with whatever I’m working on, is to lose track of time.
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The context of what can be known establishes that love and indifference are forms of language, but the wise addition of punctuation allows us to believe that there are other harms – the dash gives the reader the clear signal they are coming.
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Suspense left my life a long time ago, now it has returned. I do not care for it.
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Teaching is all armchair. I learn about writing by writing and thinking about what I’ve written and throwing it away.
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You can test things out without terrible consequences. Or maybe the consequences are there, but they are deferred, buried, much harder to detect.
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I work, and then I leave the office, and I’m with my kids and just sort of enjoy them on a visceral level, and I don’t feel like I’m exorcising my own deep ideas about parenthood and about how my life will come into play in my work.
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Among other things, autoimmune disorders are an induction into a world of unstable information and no reliable expertise.
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In some sense, prose fiction is just a way of unlocking a space. If I can unlock the space, it comes out and it’s vivid, I find that I care about it, and it’s part of me.
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Rain is used as white noise when God is disgusted by too much prayer, when the sky is stuffed to bursting with the noise of what people need.
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RHETORIC The art of making life less believable; the calculated use of language, not to alarm but to do full harm to our busy minds and properly dispose our listeners to a pain they have never dreamed of.
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Eventually you stop paying attention to your own feelings when there’s nothing to be done about them.
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I love the way dates in a text make us think that truth will follow.
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When I started writing at 18 or 19, I had a fear of anything autobiographical, but I’ve come to realise that my writing is very autobiographical at the emotional level.
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I like big doses of grief when I read: Richard Yates, Flannery O’Connor, Kenzabaro Oe, Thomas Bernhard.
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