“Most people who work with me can tell you I’m a bit of a pessimist about business stuff. Not because I don’t believe in what I’m doing, I just don’t like feeling presumptuous. Like, ‘This is what’s going to happen!’ Honestly, I don’t know what will happen.”

Other [artists’] music is really what you get most inspiration from, whether consciously or subconsciously. I like a lot of old music and a lot of soul music. I also really like a lot of new stuff.

I definitely would love to transition into being more of a writer at some point in my career. I love playing shows and traveling, but I also love writing for other people, and that’s something I’m investing my time in more when I’m home.

Life is not the mountaintops, it’s the walking in between.

I have learned that you’re not perfect, and that sometimes the one you love can burn you. But it’s just the fool that’s looking backwards: a bitter heart turns the love we made to ashes.

I never knew that I could love someone the way that I love you.

I really value the freedom I have as a Christian that’s an artist but not necessarily a Christian artist. I think it can be hard to express certain things about faith when there are a pretty specific set of expectations around what you need to talk about and how you’re talking about it.

Recording can be enjoyable, but the hard thing is that you don’t get any direct or immediate feedback like you do when you play live. Getting to see people’s excitement and see them engage in the show makes me excited to get back out and play.

It’s crazy to think of myself as a musician. It’s ridiculous that I get to do it, and I don’t necessarily mean music. Getting to do something you really enjoy as a job is an incredible privilege, I think. I still don’t really feel like a musician outside of the actual music.

Welcome, wild harbinger of spring! To this small nook of earth; Feeling and fancy fondly cling.

The companies that I really admire the most are the ones that have a deep visceral understanding of why people use their service, and they figure out ways of making money that are completely consistent with how people are feeling and what they are doing at the time.

I’m going to leave y’all with one thought. I’m a big believer in fate. I have a good feeling about this.

We need a type of theatre which not only releases the feelings, insights and impulses possible within the particular historical field of human relations in which the action takes place, but employs and encourages those thoughts and feelings which help transform the field itself.

If you just concentrate on what you’re doing and allow yourself to actually enjoy and let your feelings come out, whatever the tempos, whatever the rhythms, whatever the songs, 9 out of 10 times it will work.

I cannot choose to ignore this feeling, of life slowly bleeding out of me. I cannot ignore the fact that life only makes sense to me when I see a smile, or feel another hand in mine.

I love my daughter, but there’s a certain feeling, a certain emotion when you got a granddaughter, you know?

When people come and see my show, I try to infuse into them that they can walk away feeling like their lives are a victory.