Personal style, be it that of Michelangelo, or that of Tintoretto… has always been that peculiar personal rapport which has developed between an artist and his medium.
BEN SHAHNThe artist is likely to be looked upon with some uneasiness by the more conservative members of society.
More Ben Shahn Quotes
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I’ve been asked often what is the difference between an amateur and a professional artist, and I will tell you.
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The values that reside in art are anarchic, they are every man’s loves and hates and his momentary divine revelation.
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Only an individual can imagine, invent, or create. The whole audience of art is an audience of individuals.
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When you talk about war on poverty it doesn’t mean very much; but if you can show to some degree this sort of thing then you can show a great deal more of how people are living and a very great percentage of our people today.
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Now, my knowledge of photography was terribly limited.
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The natural reaction of the artist will be strongly towards bringing man back into focus as the center of importance.
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It is an intimately communicative affair between the painter and his painting, a conversation back and forth, the painting telling the painter even as it receives its shape and form.
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I confess that Roy [Stryker] was a little bit dictatorial in his editing and he ruined quite a number of my pictures, which he stopped doing later. He used to punch a hole through a negative. Some of them were incredibly valuable. He didn’t understand at the time.
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I was brought in, not in the photographic department at all, I was brought in on a thing called Special Skills. I was to do posters, pamphlets, murals, propaganda in general, you know.
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What is it about conformity itself that causes us all to require it of our neighbors and of our artists and then, with consummate fickleness, to forget those who fall into line and eternally celebrate those who do not?
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The time when I had desire to go to the United States I didn’t have a penny. It was in the middle of the depression, you know. I couldn’t get as far as Hoboken at that time.
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How do you paint yellow wheat against a yellow sky? You paint it jet black.
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Each artist comes to the painting or sculpture because there he can be told that he, the individual, transcends all classes and flouts all predictions. In the work of art, he finds his uniqueness confirmed.
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It may be any one of an infinite number of concepts, none of which may have any possible bearing upon its degree of newness.
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If one has set for himself the position that his painting shall not misconstrue his personal mode of thinking, then he must be rather alert to just what he does think.
BEN SHAHN








