To set the record straight for the God knows millionth time, we certainly didnt sign to Atlantic just for the money.
BEN GIBBARDWe always idealize the past because we don’t feel the painful stuff the way we used to.
More Ben Gibbard Quotes
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We had friends who had a hit single on the radio and sold 500,000 records, and then they couldn’t get arrested a year later.
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Death Cab is a militantly analog band. We’ll continue moving forward with our sound, but there will be no crossover.
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Liking interesting things doesn’t make you interesting.
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And it came to me then that every plan is a tiny prayer to father time.
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I’m starting to relate more to the late-period Kerouac stuff in the way that I once related to the fun and excitement of the early material. There’s a darkness inside of me that I’m only now starting to come to grips with and accept. And it’s starting to scare me.
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There were a lot of fences and walls existing in my life, literally and figuratively, and that was really not indicative of the kind of person that I’d always been. So, when I moved back to Seattle, the first thing I said was, “I will never live in fear again.”
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The late ’90s were a really bad time for people trying to be rock stars, you know what I mean? It seemed like everyone was a one-hit wonder on the radio.
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I like writing on piano and a computer, and a lot of ‘Plans’ came out of samples and vocal lines.
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The story of our band is that we were this relentless touring band in those early years. We were leaving day jobs and going off on the road and having fun and seeing the country for the first time.
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I feel like on those older records there are a lot of attempts at clever turns of phrase.
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I can remember how I sang – a little more nasal-y back then. Listening to those old recordings is like seeing a photograph of yourself from 10 years ago. You’re wearing what you thought looked cool at the time. You had your hair styled the particular way you thought looked cool.
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I feel like there’s a lot of beauty in the darkness of ‘Narrow Stairs,’ but that’s not really a place I’m ready to go to for a while. I’m interested in taking a different approach and having the next record be different in tone – I’m just not interested in making another dark, dark album.
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Now that we have the resources, we’re like, “Oh wow, a nice studio is pretty nice! They do have nice outboards here. It’s actually a pretty good place.” It’s funny how much changes so quickly.
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Everybody has a language or code that they use with their wife or their girlfriend or boyfriend or what have you. It’s a language aside from the language they have with strangers.
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When I listen to Airplanes record, it takes me back. I remember a lot of my thought processes when I was 20 or 21, writing those songs and recording that record.
BEN GIBBARD