“I drag a lot of stuff round with me that I don’t need.”

I had a very sparse comic upbringing – not because I was being whipped into reading Chekhov and Dickens, but I read Asterix on holidays when I was a kid, and Tin Tin was featured, I remember, for a few years.

I’m not confident in social situations; just going up to someone in a bar and saying ‘Hi’ is going to be even more difficult because they won’t know the real me. They will just know me as a fictional person I play on the screen.

[Doctor Strange] gets scraped off the floor and then thrown right down to hell again and then slowly pulls himself back up.

I think now with fundamentalists, people who treat belief with a total lack of humor or empathy for any other viewpoint than their own – they, to me, are the enemy. And those people are born out of desperate extremes.

It’s difficult because nothing’s preordained by plan and you can’t control it. That’s one of those joys and thrills and nerve-racking realities of being an actor. A lot has to do with luck, no matter what your talent or contribution can be.

It’s very easy to be cynical about any kind of interference in things that are beyond our skill set.

I think it’s fair to say that, yeah, I’m playing Doctor Strange, I get there.

I don’t want to miss things.

The armoury of having any academic education does not necessarily set you up for being a good or better actor.

I remember very clearly someone saying, ‘Don’t shake hands with the cactus,’ and I thought, ‘Well, why not? What could possibly go wrong?’ Shaking hands is a friendly gesture.

When you start getting jobs, and see your mates from drama school, you don’t really want to talk about it, because you have this innate sense of guilt that it’s not fair that others aren’t doing exactly what you’re doing. I do have that.

Someone will always hate what I say. There’s always going to be somebody spitting blood about my wooden-faced, toffee-named, crappy acting.

I try to work hard. I’m really proud of what I get to do as a living. I still pinch myself. But I also know it’s a craft, and I can get better at it and learn every time I do it. So I try to work hard no matter what the task is.

What makes a good animated movie is being able to balance adult and knowing in-jokes and also just out and out funny things that make all people laugh. The idea that it’s actually something that will appeal to a family, that’s the trick.

I’m aware of [Doctor Strange] place within the comic pantheon of it all, the Marvelverse, but I don’t email saying, “When are we doing next film?” I’m excited to see.

I don’t live beyond my means. I enjoy luxury and I enjoy the privilege of it, when I can afford it, and I’m in the situation where it’s been given to me, but I’m very conscious of what is wasteful.

To me, drag is about doing whatever you want, and nobody says anything. And ‘Drag Race’ is about doing what you’re told and having it evaluated. I hate being judged.

Some of my favorite drag queens are women.

For years, ‘Drag Race’ was gay people’s best kept secret. When I started doing drag, people didn’t know anything about it. Look at it now: it’s like it’s gone from black and white to IMAX.

Out of drag, I’m a white guy with a guitar, which isn’t special. There are a million white guys with guitars. But being a drag queen with a guitar is a lot more commanding.

I don’t expect a lot of people who love drag to also be like, ‘I love ‘Drag Race,’ and then I got to hear my Chris Stapleton album.’ Not necessarily an obvious crossover.

I’m an artist who happens to be in drag. And I think that’s why my drag is a little different.

Something that I love about drag is that it’s a celebration of feminity.

I’m like the Justin Bieber of the drag world.