Now, when I came on to Washington to begin my job, I was so interested in photography at that time that I really would have preferred to work with Stryker than with my department, which was more artistic if you wish.
BEN SHAHNOf course I realize that photography is not the technical facility as much as it is the eye, and this decision that one makes for the moment at which you are going to snap, you know.
More Ben Shahn Quotes
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The popular eye is not untrained; it is only wrongly trained – trained by inferior and insincere visual representations.
BEN SHAHN -
An ametuer is an artist who supports himself with outside jobs which enable him to paint. A professional is someone whose wife works to enable him to paint.
BEN SHAHN -
The values that reside in art are anarchic, they are every man’s loves and hates and his momentary divine revelation.
BEN SHAHN -
I became interested in photography when I was sharing a studio with Walker Evans, and found my own sketching was inadequate.
BEN SHAHN -
Each artist comes to the painting or sculpture because there he can be told that he, the individual, transcends all classes and flouts all predictions. In the work of art, he finds his uniqueness confirmed.
BEN SHAHN -
I was brought in, not in the photographic department at all, I was brought in on a thing called Special Skills. I was to do posters, pamphlets, murals, propaganda in general, you know.
BEN SHAHN -
Personal style, be it that of Michelangelo, or that of Tintoretto… has always been that peculiar personal rapport which has developed between an artist and his medium.
BEN SHAHN -
How do you paint yellow wheat against a yellow sky? You paint it jet black.
BEN SHAHN -
The natural reaction of the artist will be strongly towards bringing man back into focus as the center of importance.
BEN SHAHN -
Content may by trivial. But I do not think that any person may pronounce either upon the weight or upon the triviality of an idea before its execution.
BEN SHAHN -
It is an intimately communicative affair between the painter and his painting, a conversation back and forth, the painting telling the painter even as it receives its shape and form.
BEN SHAHN -
When you talk about war on poverty it doesn’t mean very much; but if you can show to some degree this sort of thing then you can show a great deal more of how people are living and a very great percentage of our people today.
BEN SHAHN -
Nobody had ever done it before, deliberately. Now it’s called documentary, which I suppose is all right … We just took pictures that cried out to be taken.
BEN SHAHN -
The apprehension of… values is intuitive; but it is not a built-in intuition, not something with which one is born. Intuition in art is actually the result of… prolonged tuition.
BEN SHAHN -
Paint what you are, paint what you believe, paint what you feel.
BEN SHAHN