“You can’t make people believe in you if you play a horror part with your tongue in your cheek.”

I’ve been using narcotics for 20 years.

To die, to be really dead, that must be glorious.

The vampire was a complete change from the usual romantic characters I was playing, but it was a success.

I guess I’m pretty much of a lone wolf. I don’t say I don’t like people at all, but, to tell you the truth, I only like it then if I have a chance to look deep into their hearts and their minds.

The love-bite, it is the beginning. You will be irresistible.

That is different, to have someone think that I am evil when I really am not.

I don’t have a dime left. I am dependent on my friends for food and a small old-age pension.

Because of my language and the pantomime with which most Europeans accompany their speech, I was catalogued as a heavy.

Women have a predestination to suffering.

Circumstances made me the theatrical personality I am, which many people believe is also a part of my personal life.

Death, the final, triumphant lover.

I have lived too completely. I think I have known every human emotion.

When a film company is in the red they come to me. Always it is the same.

It is women who bear the race in bloody agony. Suffering is a kind of horror. Blood is a kind of horror. Women are born with horror in their very bloodstream. It is a biological thing.

It took me years to live down Dracula and convince the film producers that I would play almost any other type of role.

Actors were exploited no less by the capitalist managers than they were by the state.