“We spend so much time, these days, on forms of literature that don’t rise to be literature, and I’m speaking about Twitter posts and quick and hot takes on different websites. We sort of zoom from thing to thing like a hummingbird.”

That one lesson that African American communities have learned over the centuries in America is that you can’t just take for granted that things will steadily get better and better and better until they’re great. It is fits and starts. It is backward and forward.

One thing that fiction does is it allows us to take big picture questions, big issues, big moral and socio-political changes and see how they play out on real people’s lives, with real individuals.

There is no shortage of ways that people profit indirectly from the misery and cruelty in other places. Even now, the shirts we wear and the tomatoes we eat. There are unfortunately unfair and inhumane conditions – including literal slavery – all over the world.

We think, “Well, what are you gonna do?” In a way, that little instinct, that “What are you gonna do?” is the most dangerous thing in the world.

I think it’s hard sometimes for people to grapple with the real-life consequences of political change.

There is little novelty in the detective who cannot solve himself.

A book is not a tweet. A book is not a half-hour television show. A book requires for both reader and writer sustained discipline attention. It asks you to immerse yourself in something and really deeply feel it.

Our political divides have become our personal divides.

Because as any writer will tell you, an IDEA for a book is like falling in love, it’s all wild emotion and headlong rush, but the ACTUAL ACT of writing a book is like building a relationship: it is joyous, slow, fragile, frustrating, exhilarating, painstaking, exhausting, worth it.

It is part of what makes America great. That tradition of the free press, and also the tradition of this highly competitive market for investigative journalism. We’re seeing, there’s no question, that we’re seeing a renaissance of that.

I think that if there is a great gift that this [Donald Trump] election gave us, is this sort of sense of vigilance, the sense that we have to remain on guard. We have to support our free press.

One thing we’ve learned about Donald Trump – this candidate first, president-elect, and now president – is that he has this sort of reptilian instinct for rooting out supposed enemies and finding people he can whip up distrust into rage.

History is not the linear sort of movement toward better and better things.

Fiction has this special power. It has a power to clarify, to galvanize, to prophesy, and warn.

The membrane between where we are right now and a very different reality, is so much thinner than we like to think. Things can go back, and things can go to the side, and things can go to places where we might not even have been on guard that they might go.

I think that, we as a culture, feel like politics is one sector of our lives that can feel apart from our personal lives and the cultural things we’re interested in and the sports we watch. It feels like this separate, different thing.

Any artist should be grateful for a naive grace which puts him beyond the need to reason elaborately.

Mundra Port remains committed towards setting up of world-class port infrastructure and facilities in India.

I’m a first-past-the-post person, and always have been.

Because you should realise the Cenotaph and the Last Post and all that stuff is concerned, there’s no better way of forgetting something than by commemorating it.

Newspapers are being read all around. The point is not, of course, to glean new information, but rather to coax the mind out of its sleep-induced introspective temper.

The New York Times and the Washington Post are not going to fight the fights that I do.

The diseases of the present have little in common with the diseases of the past save that we die of them.

Amidst the mists and coldest frosts he thrusts his fists against the posts and still insists he sees the ghosts.