“It must be that there is something in the hearts of human beings, some natural fluid perhaps, that insists on happiness, even confronted with the most powerful arguments against it.”

It is really something, the extent to which we allow ourselves to live without thinking of things that we know, in the abstract, are bad, and are going on right now, somewhere far away.

Even after he was elected, and even now, it still feels impossible. It felt like we had fallen into this wormhole of history.

The election of Donald Trump is, to me, this very clownish personality with no political experience, who had literally been using fascist slogans in his campaign. It had seemed so impossible.

We pretend that everything that has happened happened long ago, and then we act as if we all now just treat each other equally, everything will be fine.

We spend so much time, these days, on forms of literature that don’t rise to be literature, and I’m speaking about Twitter posts and quick and hot takes on different websites. We sort of zoom from thing to thing like a hummingbird.

I think that fiction has this special responsibility or this special ability to help people to empathize, to demand of people that they understand other individuals and other people’s experiences.

That one lesson that African American communities have learned over the centuries in America is that you can’t just take for granted that things will steadily get better and better and better until they’re great. It is fits and starts. It is backward and forward.

One thing that fiction does is it allows us to take big picture questions, big issues, big moral and socio-political changes and see how they play out on real people’s lives, with real individuals.

There is no shortage of ways that people profit indirectly from the misery and cruelty in other places. Even now, the shirts we wear and the tomatoes we eat. There are unfortunately unfair and inhumane conditions – including literal slavery – all over the world.

We think, “Well, what are you gonna do?” In a way, that little instinct, that “What are you gonna do?” is the most dangerous thing in the world.

I think it’s hard sometimes for people to grapple with the real-life consequences of political change.

There is little novelty in the detective who cannot solve himself.

A book is not a tweet. A book is not a half-hour television show. A book requires for both reader and writer sustained discipline attention. It asks you to immerse yourself in something and really deeply feel it.

Our political divides have become our personal divides.

Because as any writer will tell you, an IDEA for a book is like falling in love, it’s all wild emotion and headlong rush, but the ACTUAL ACT of writing a book is like building a relationship: it is joyous, slow, fragile, frustrating, exhilarating, painstaking, exhausting, worth it.

It is part of what makes America great. That tradition of the free press, and also the tradition of this highly competitive market for investigative journalism. We’re seeing, there’s no question, that we’re seeing a renaissance of that.