“I’m aware that I’m very fringe, and it’s nice that way.”

Why would I want to sound like Joni Mitchell? I’ve got Joni Mitchell records, and they’re great, and I couldn’t possibly be that good.

Even though I live in America more, I feel like when I go to Adelaide, that’s when I get to go home.

It’s like being in the position of – in half of the industry’s mind, you’re kind of a cult-following, independent rocker. And on the other hand, you’re a sellout. But neither one of them are right.

I’m definitely an anomaly, but I’m making things. They’re selling, say, martinis, and I’m kind of making vintage Riesling.

To the modern ear, it seems soft. When you hear it against other things, it seems vulnerable. Lyrically and musically, though, this is more subtle. And, yes, it’s asking a lot of someone who’s used to being hit over the head with bright neon to listen to this.

Everybody knows it hurts to grow up…and we’re still fighting it.

I feel like a quote out of context, withholding the rest so I can be for you what you want to see.

Rock and roll is – and should be – a kid’s place.

Because I write very simply, but inside the simplicity, there’s a lot of subtlety. That’s what I’m proud of.

Now that I have found someone, I’m feeling more alone… than I ever have before.

Everyone grew up with a piano in their living room, so rocking out on the piano was accessible – it wasn’t an upper-class thing. Now pianos have become very much a piece of furniture.

A lot of 18-year-olds are like old men. They think they’ve seen everything.

Im really good at writing almost hits.

What stupid f – king idiot gets married a second time if the first time didn’t work out?

I’ve gotten to the point where I realize that I need to tell my truth in music and not walk around blabbing my mind.

It’s a tough thing to know that when you’re making your album, you’re going to end up collaborating with, say, Wal-Mart, on your artwork. That just sucks. And the pressure behind getting the numbers real fast is, to me, dizzying.