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The common, the quotidian, is so much more unyielding to me, really stubborn and hard to work with, and I like this because it makes me think and it makes me worry. I can’t just plunge my hand into the meat of it. I need new approaches.

Ben Marcus

A misspelled word is probably an alias for some desperate call for aid, which is bound to fail.
BEN MARCUS

Desperate Failing Language
To me one of the amazing technologies of writing is the way it can listen in on thoughts. I don’t feel that that’s natural to other art forms in the same way.
BEN MARCUS

Art Feel Listen Technology Writing
When I started writing at 18 or 19, I had a fear of anything autobiographical, but I’ve come to realise that my writing is very autobiographical at the emotional level.
BEN MARCUS

Emotional Level Writing
Sorry, I said to myself, wondering how many times in my marriage I’d said that, how many times I’d meant it, how many times Claire had actually believed it, and, most important, how many times the utterance had any impact whatsoever on our dispute. What a lovely chart one could draw of this word Sorry.
BEN MARCUS

Dispute Impact Love Sorry Times Wonder yself
My first book, ‘The Age of Wire and String,’ came out in 1995, and it was hardly reviewed at all.
BEN MARCUS

Age Book Review Wire
RHETORIC The art of making life less believable; the calculated use of language, not to alarm but to do full harm to our busy minds and properly dispose our listeners to a pain they have never dreamed of.
BEN MARCUS

Art Believe Calculate Harm Language Pain Wise
Teaching is all armchair. I learn about writing by writing and thinking about what I’ve written and throwing it away.
BEN MARCUS

Teaching Thinking Writing
I’m an enormous fan of Thomas Bernhard’s books, and I like the relentless feeling in his work – the pursuit of darkness, the negative – and I think in some sense I’ve internalised that as what one is supposed to do.
BEN MARCUS

Book Darkness Negative Thinking
It amazes me that parents are allowed to raise kids. There’s so much power and often very little accountability.
BEN MARCUS

Accountability Kids Parent
I work, and then I leave the office, and I’m with my kids and just sort of enjoy them on a visceral level, and I don’t feel like I’m exorcising my own deep ideas about parenthood and about how my life will come into play in my work.
BEN MARCUS

Ideas Kids Parenthood Play
It’s lonely to listen to the pleasure of others, not that I’ve made a habit of that kind of eavesdropping. There’s joy and passion in the next room, in the next bed, but it’s not yours.
BEN MARCUS

Joy Lonely Passion
You can test things out without terrible consequences. Or maybe the consequences are there, but they are deferred, buried, much harder to detect.
BEN MARCUS

Consequences Detect Terrible Test
Slamming the book shut produces a wind on the face, a weather that is copyrighted by the author, and this wind may not be deployed without permission, nor may the pages be turned without express written permission.
BEN MARCUS

Book Copyright Permisson Weather Wind
I’m interested in the hope we invest in science, and the disappointment we can feel when science flattens, or ‘explains,’ the larger mysteries of religion.
BEN MARCUS

Disappointment Feels Mystery
Without sound, celebration and grief look nearly the same.
BEN MARCUS

Grief Looks Sound
I work a lot in the summers. My family goes to Maine, where we have a little house. My wife’s a writer, too, and we can write for six hours a day and then play with the kids.
BEN MARCUS

House Kids Summer Wife Writing

The common, the quotidian, is so much more unyielding to me, really stubborn and hard to work with, and I like this because it makes me think and it makes me worry. I can’t just plunge my hand into the meat of it. I need new approaches.

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The common, the quotidian, is so much more unyielding to me, really stubborn and hard to work with, and I like this because it makes me think and it makes me worry. I can’t just plunge my hand into the meat of it. I need new approaches.

Related Topics

Popular Authors

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