“I don’t think that I’m over his influence but they probably don’t look like Picassos; Picasso himself would probably have thrown up looking at my pictures.”

Yes, you know sometimes, we started out thinking out how strange our painting was next to normal painting, which was anything expressionist.

Im interested in what would normally be considered the worst aspects of commercial art.

Outside is the world; it’s there. Pop Art looks out into the world.

My work isn’t about form. It’s about seeing. I’m excited about seeing things, and I’m interested in the way I think other people see things.

There must be something about art… almost all cultures have done art. It’s a refining of the senses, which are there to keep us alive. As far as we know, no other animals do that.

My use of evenly repeated dots and diagonal lines and uninflected color areas suggest that my work is right where it is, right on the canvas, definitely not a window into the world.

My direction is very anti-contemplative. If you thought I was for commercial products, you’d think there was no irony. The irony isn’t meant to be an ironic comment on our society, exactly.

My work sanitizes it (emotion) but it is also symbolic of commercial art sanitizing human feelings. I think it can be read that way….

I’d always wanted to know the difference between a mark that was art and one that wasn’t.

You have no idea where reality is, so to have an idea of what people think is pretty hard.

I suppose I would still prefer to sit under a tree with a picnic basket rather than under a gas pump, but signs and comic strips are interesting as subject matter.

Art doesn’t transform. It just plain forms.

As long as the marks are related to one another, there is unity. Unity in the work itself depends on unity of the artist’s vision.

You know, as you compose music, you’re just off in your own world.

Organized perception is what art is all about.

We’re not living in a school-of-Paris world, you know, and the things we really see in America are like this. It’s McDonald’s, it’s not Le Corbusier.

I understand it on a superficial level, but the depth of it just boggles my mind. I think it’s probably the greatest of all speeches ever written.

There are probably a few library fines I haven’t paid yet, but I’m a pretty clean-cut guy overall.

Probably 90 percent of my albums have polka medleys.

I’d probably have the same pause if you asked me what my strengths are. Maybe they’re the same thing.

I probably write a poem every 50 years.

I probably worked every single entertainment medium, including some that don’t exist.

I know that it’s probably not a good idea for a comedian, especially a satirist, to support a public policy group or a politician.

I also focus on Bush and his administration – who do a lot of lying – and how a right-wing media has allowed them to get away with a lot of stuff that, in a different media environment, they probably wouldn’t be able to get away with.