All violence is the illustration of a pathetic stereotype.
BARBARA KRUGERImages are made palpable, ironed flat by technology and, in turn, dictate the seemingly real through the representative.
More Barbara Kruger Quotes
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I’m trying to engage issues of power and sexuality and money and life and death and power. Power is the most free-flowing element in society, maybe next to money, but in fact they both motor each other.
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Fashion is everywhere and about everything. It is folly, vanity and the fun of it all. It is disguise, innuendo, and cunning. It is mean, gorgeous and ambitious, and definitely the last word for the next few seconds.
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If I bring up political power, personal power, it sounds like they’re my terms, and they’re not.
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Belief is tricky because left to its own devices, it can court a kind of surety, an unquestioning allegiance that fears doubt and destroys difference.
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What makes the production of my work so expensive? The whole installation thing – the construction, the objects, the technology. It really adds up.
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What I’m trying to do is create moments of recognition.
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Do you know why language manifests itself the way it does in my work? It’s because I understand short attention spans.
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Teaching at university isn’t like teaching in an art school.
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It’s hard for me to understand how working-class people support themselves.
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There are so many moments and works that influence us in what we do. Movies, music, TV and, most importantly, the profound everydayness of our lives.
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Love is something you fall into.
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Prominence is cool, but when the delusion kicks in it can be a drag. Especially if you choose to surround yourself with friends and not acolytes.
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We are obliged to steal pieces of language, both visual and textual.
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There’s a moment of recognition. It’s that white-light kind of stuff that just “works.” I love that. And you know it when it happens, whether it’s a movie, music, a building, a book.
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It’s really hard for me to use the term ‘history’ in the singular, because it suggests a reductivist view of how moments and events congeal and reflect the passage of time. I’d rather stick to the pluralness of ‘histories’ in order to suggest the simultaneity, the parallel forces at work, which produce lived experience.
BARBARA KRUGER






