The producer, director and stars are the geniuses who get the hosannas when it’s a hit. Theirs are also the heads that are mounted on spears when it’s a flop.
They’re a symbol of the whole town, pretending to fight, love, weep and laugh all the time – and they’re phonies, all of them. And I head the list…their phony hearts were dripping with the milk of human kindness.
Like the actor, authority has faith in its false whiskers. But its deepest faith is in the human illusion. People will hang on to illusion as eagerly as life itself.
Writing a good movie brings a writer about as much fame as steering a bicycle. It gets him, however, more jobs. If his movie is bad it will attract only critical tut-tut for him.
I discovered early in my movie work that a movies never any better than the stupidest man connected with it. There are times when this distinction may be given to the writer or director. Most often it belongs to the producer.
When you overpay small people you frighten them. They know that their merits or activities entitle them to no such sums as they are receiving. As a result their boss soars out of economic into magic significance.
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