Sometimes you can fix something that went wrong with what you do next and make it better than it would have been if it hadn’t gone wrong, as an improviser, and I do know how to do that.
BELA FLECKI think it is very ironic that most people think that the banjo is a southern white instrument. It came from Africa and even for the first years that white people played banjo they would put on blackface.
More Bela Fleck Quotes
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He knew I was playing a little bit of guitar. He saw a banjo at a flea market and bought it. I took it home with me and just never put it down. I was fifteen.
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My most powerful memory was hearing Earl Scruggs on ‘The Beverly Hillbillies’ as a 5 or 6 year old. That sound just blew me away, shook my head up.
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I first heard the banjo on the Beverly Hillbillies, and from then on I was banjo-conscious. But I didn’t actually get one until my grandfather gave me one, almost by mistake.
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I think I’m getting better at being verbal. I used to have a lot of problems with it. I had my own little demons that I was fighting, and I used the banjo as an escape.
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There’s a lot of hip-hop that would be great with a banjo in it. It would just groove like crazy, and I hope I get to be one of the guys who does that, because it’s coming. It’s coming.
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I think the Flecktones are a mixture of acoustic and electronic music with a lot of roots in folk and bluegrass as well as funk and jazz.
BELA FLECK -
And then Earl Scruggs comes along and transforms the banjo into a virtuosic modern instrument. For the first time, the Southern banjo style becomes the identity of the banjo, and everything from before is wiped off of people’s consciousness by the power of that explosion.
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I always try to work with people who are better than me, so I can learn more.
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When I play my own music, or when I play new music, there’s much more stress and intensity of thinking about how I’m going to make it work!
BELA FLECK -
I don’t know enough about hip-hop, though I’ve heard some great hip-hop. I just did a thing with Qwest Love – we did a performance together in Memphis at the Folk Alliance Festival, and we had a great jam and a conversation.
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It doesn’t have to be happy music to be inspiring.
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I learned that I’m so busy with what I’m doing, so focused on what I’m doing, that I miss a lot of opportunities for interacting with people.
BELA FLECK -
I think it is very ironic that most people think that the banjo is a southern white instrument. It came from Africa and even for the first years that white people played banjo they would put on blackface.
BELA FLECK -
Everybody should have a documentary made about themselves. It’s amazing what you see and what you learn.
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I doubt anybody would have pushed me [on the music]. When I was at Sony nobody ever gave me any creative suggestions on the music.
BELA FLECK