The interesting thing about movies, it’s not always – y’know, you have to have structure etc and all those things, but an audience responds, in many ways, we walk away and certain things stay in our heads that are memorable.
BARRY LEVINSONI worked at a local television station and I got a chance to direct and do all those things – worked kiddie shows, Ranger House show with the hand puppets and things like that.
More Barry Levinson Quotes
-
-
You don’t always have to have the ending, but you want to have a satisfactory conclusion.
BARRY LEVINSON -
They’re intimidating the networks and levying these fines, so the networks are not sure of what they can or can’t do.
BARRY LEVINSON -
Some actors are supposed to be very difficult, but I’ve not found that to be the situation.
BARRY LEVINSON -
I’ve had a lot of movies that didn’t get great numbers on test screening, but a lot of times the film was able to survive, or the studio still stayed and supported it.
BARRY LEVINSON -
Craig Nelson who is an actor and is in a show called Coach in the United States. We began to do some improvisational stuff and we used to get laughs and things.
BARRY LEVINSON -
Studios just sometimes make decisions on their own that you’re always flabbergasted by. It just happens that way for whatever reason – not even pointing fingers, it just is.
BARRY LEVINSON -
All I try to do is create an atmosphere that seems comfortable enough, that it removes tension and everyone feels free. If they feel free then behaviour happens, small moments happen and that’s what ultimately works the best for me.
BARRY LEVINSON -
We’re never going to be the ultimate-insider look. You can do 50 insider looks at this Hollywood business, and the satire didn’t intrigue me. I think others can do that.
BARRY LEVINSON -
I got a chance to work with Mel Brooks on two of his films: Silent Movie and High Anxiety.
BARRY LEVINSON -
Even back in the ’90s, I shot certain things on something that wasn’t digital then, but it was on VHS with a smaller camera and we would up it to film.
BARRY LEVINSON -
You do understand that you can’t force the situation, but in terms of how you edit, you can define that to take the audience along, whether it be a storyline or a character moment that we can play out. The more experience you’ve had, the more beneficial it is, period.
BARRY LEVINSON -
I don’t know that you can do it as a satire. I mean, the business is crazy enough as it is. It’s like doing Wag The Dog – we took a thing that was almost completely absurd on one level, and then ultimately those things came about.
BARRY LEVINSON -
I do know when you look at some ballplayer and all of a sudden he is the size of a truck something is wrong.
BARRY LEVINSON -
When I began to think about the head of the family, the storyteller, the rise of television which became the new storyteller, the break-up of the American family as an idea and then Avalon came.
BARRY LEVINSON -
I think it’s a promising time which will show a lot of diversification that we’ve seen in the past.
BARRY LEVINSON