I’ve had terrible, terrible, terrible shows where I just thought, “That was off-key” or I forgot lines or I thought I looked like an idiot, and then you’re leaving and talking to people, and they’re like, “I had the best time of my life! That was amazing!” You just never know.
BABATUNDE ADEBIMPEMy father was a psychiatrist and a social worker but he was a very talented painter and musician and writer on the side.
More Babatunde Adebimpe Quotes
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You can physically move yourself around but there’s that great line that Adam wrote: “Does it define for life, like print of thumb?” I think it does.
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I know that being upset without having an avenue to fix anything is a real hard place to be in for too long. But it’s even worse thinking that it’ll go away if you just ignore it.
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Touring is really a weird social experiment, even though everyone thinks it’s a party every day.
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When I’m in the mode of feeling positive about love, I don’t really feel the need to mark it down in song. In fact, I know what that song would sound like, and I would not subject anybody to that.
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I feel like people just let each other live a little more in New York.
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There was something in me, even leaving fifth grade, that hit me and said, “I have to get out of here. I don’t know where, and I don’t know what else I can do but I’m really not going to end up like any of these people.”
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There are people who kind of let you know that you can silence the room.
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Adam is one of my favourite writers, period. He has such a unique voice and he’s somebody who I admire so much for putting the effort into inventing his own language and furthering it.
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I don’t want my reasons to be informed by what people think about what I’m doing.
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Adding instruments to parts of a song and having them somehow find a pocket. That to me was a huge lesson. Like, there’s more than 808s in the universe.
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You have to be a really talented writer if you’re trying to encapsulate a news story with a song and have it live after the event. I don’t have the focus to do that, really.
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There are a lot of spikes that can happen when what you’re doing starts to get attention or people start to talk about it. They can just kind of really do a number on your reasons for making music.
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Regarding race or gender or sexuality, one of the great things about art and music is that they can provide people with very little else in common with a similar entry point for discussion, but the discussions still need to happen for life to get more interesting.
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One second you’re having the time of your life in front of all these people, and then you come backstage to the exact opposite – there’s only lukewarm carrots back there.
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I probably couldn’t have the same experience listening to that song because I’m self-conscious about some of my singing parts.
BABATUNDE ADEBIMPE