I don’t want my reasons to be informed by what people think about what I’m doing.
BABATUNDE ADEBIMPEMy father was a psychiatrist and a social worker but he was a very talented painter and musician and writer on the side.
More Babatunde Adebimpe Quotes
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I probably couldn’t have the same experience listening to that song because I’m self-conscious about some of my singing parts.
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Touring is really a weird social experiment, even though everyone thinks it’s a party every day.
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Most of the bands that I really like no longer exist. That might just be because I’m in my thirties or whatever. But I also think it’s the rare band that doesn’t, like, turn into something else.
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Adding instruments to parts of a song and having them somehow find a pocket. That to me was a huge lesson. Like, there’s more than 808s in the universe.
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I was living in a loft with Dave Sitek – this loft full of people just working on their stuff. Some were painting, some were writing. Any plans you had were kind of like a plan for the next two months.
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I feel like now if you’re going to start a band you have to have an Instagram full of yourself looking a certain way, lined up like five dudes in mugshot alley, hanging out by the bridge or up against the wall, or “We’re in a library for some reason!”
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There was something in me, even leaving fifth grade, that hit me and said, “I have to get out of here. I don’t know where, and I don’t know what else I can do but I’m really not going to end up like any of these people.”
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The feeling of being halfway through a show and just realizing that there’s nothing you can do to save it – it’s a horrible feeling.
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Being 15 and like a punk in the DIY community, basically being with a group of people like no one else, it was the first place to exclude or call out if people were racist, sexist, homophobic or in any way prejudiced.
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You have to be a really talented writer if you’re trying to encapsulate a news story with a song and have it live after the event. I don’t have the focus to do that, really.
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One second you’re having the time of your life in front of all these people, and then you come backstage to the exact opposite – there’s only lukewarm carrots back there.
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You turn into this desperate dude looking for a shred of attention when you just had so much. It’s like, “I’m just lonely and all I really want is a hug, but I gotta capture that in something real gross.” You start to understand why circus clowns are alcoholics.
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Most of the bands that I really hold in my heart – you don’t think about them as bands; they’re just the soundtrack of your life.
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It’s insane when someone shows up to your show and is like, “You could run off with me right now!” I’m like, “It’s cool, I think I’m gonna go read.”
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I have nothing against people getting their band back together, but the artists I love marked a time in my life, and to merge that time with now can be personally depressing.
BABATUNDE ADEBIMPE






