black
grey
blue
red
brown
white

And my feeling was if I was going to succeed as a director, I had to just be a director and give up the safety net of being a cameraman.

Barry Sonnenfeld

When you’re done shooting, the movie that you’re going to release when you’re done shooting is as bad as it will ever be.
BARRY SONNENFELD

Done Editing Finishing Release Shoot
Anything I think isn’t working or might not work, I don’t even put it in the director’s cut. And usually it’s the studio suggesting I put stuff back in, as opposed to studios saying, “You got to lose 40 minutes,” they are always saying, “You’ve got to gain five minutes.”
BARRY SONNENFELD

might Oppose Studious Stuff Suggest Work
And to use my particular sense of humor, and hear people laughing, without me having to stand up in front of an audience and tell jokes.
BARRY SONNENFELD

Always Gun Joke Particular Sense The Audience
I was seeing a lot of really good things about Get Shorty when it came out, and my wife pointed out that if you validate the good reviews, you also have to validate the bad reviews.
BARRY SONNENFELD

Good Reviews Things Wife
Michael worked one day. Everybody was a little freaked out and nervous because he’s a really big star. We were already working with really big stars, but Michael is Michael.
BARRY SONNENFELD

Day Little One Stars
And then through editing, and finishing the effects and adding music, you get to make the movie better again. So I’m really hard on myself and on the movie.
BARRY SONNENFELD

Add Finish Movie Music Myself
Growing up, my fascination was all things dinosaur, and as an adult, I’ve had some success making films about aliens, so this is a dream come true.
BARRY SONNENFELD

Dream Fascination Growing Up
I had to explain to him that it was a comedy.
BARRY SONNENFELD

Comedy Explain Learn Taught
When I move from being a cameraman to being a director I looked at a lot of other cameramen who tried to make the move. And in each case they moved up their camera operator to be the DP, which really meant they didn’t want to give up being the DP, and really wanted to do both.
BARRY SONNENFELD

Cameramen Director Giving Make Move Moving Safety
By definition a sequel can’t be original. So you’ve got to figure out what worked the first time around.
BARRY SONNENFELD

Definitions Figure Firsts Skating
It always happens at the end that you’re always under the gun because of various schedules and all that.
BARRY SONNENFELD

Ends Gun Happen Schedules
And my feeling was if I was going to succeed as a director, I had to just be a director and give up the safety net of being a cameraman.
BARRY SONNENFELD

Cameramen Director Feeling Succeed
I’m not the one or two take guy, but I’m not the 20, 30, 50, 70 take guy either. If I do a bunch of takes, like more than five or six, it’s usually for some technical reasons.
BARRY SONNENFELD

Bunch Guy More Six Take Two Usually
I’m an unusual director in that my cut is usually shorter then the final released film. I like short films.
BARRY SONNENFELD

Cutting Directors Finals
They want to let the audience figure things out and let the reaction shot get the laugh.
BARRY SONNENFELD

Figure Laughing Skating Want
We should all relax about life because you don’t have a clue as to what’s really going on.
BARRY SONNENFELD

Clue Going Life Relax

And my feeling was if I was going to succeed as a director, I had to just be a director and give up the safety net of being a cameraman.

Related Topics

Popular Authors

And my feeling was if I was going to succeed as a director, I had to just be a director and give up the safety net of being a cameraman.

Related Topics

Popular Authors

More Barry Sonnenfeld Quotes