“The happiness of being envied is glamour. Being envied is a solitary form of reassurance. It depends precisely upon not sharing your experience with those who envy you.”

The power of the glamorous resides in their supposed happiness: the power of the bureaucrat in his supposed authority.

Every painted image of something is also about the absence of the real thing. All painting is about the presence of absence.

[O]ften art has judged the judges, pleaded revenge to the innocent and shown to the future what the past suffered, so that it has never been forgotten.

This determines not only most relations between men and women but also the relation of women to themselves.

As Nelson Mandela has pointed out, boycott is not a principle, it is a tactic depending upon circumstances.

What any true painting touches is an absence – an absence of which without the painting, we might be unaware. And that would be our loss.

Publicity is the life of this culture – in so far as without publicity capitalism could not survive – and at the same time publicity is its dream.

Everything became exchangeable because everything became a commodity.

Nakedness reveals itself. Nudity is placed on display. The nude is condemned to never being naked. Nudity is a form of dress.

For the Cro-Magnons, space is a metaphysical arena of continually intermittent appearances and disappearances.

Paintings record what the painter remembers. Because each one of us forgets different things, a photo more than a painting may change its meaning according to who is looking at it.

For the artist, drawing is discovery. And that is not just a slick phrase; it is quite literally true.

When we read a story, we inhabit it. The covers of the book are like a roof and four walls.

Every authentic poem contributes to the labor of poetry… to bring together what life has separated or violence has torn apart…

A drawing is an autobiographical record of one’s discovery of an event – either seen, remembered or imagined. A ‘finished’ work is an attempt to construct an event in itself.

Deep in the nature of theatre is a sense of ritual. The cinema, by contrast, transports its audience individually, singly, out of the theatre towards the unknown.