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These movies are like my kids. I just love them to death. Some of them go to Harvard and some of them can barely graduate high school.

Barry Sonnenfeld

The first cut I do is usually between five and 10 minutes shorter then the cut that we release.
BARRY SONNENFELD

Cutting Directors Thinking
I’m an unusual director in that my cut is usually shorter then the final released film. I like short films.
BARRY SONNENFELD

Cutting Directors Finals
I haven’t read a review of one of my films for the best part of 10 years.
BARRY SONNENFELD

Film Reviews Years
We should all relax about life because you don’t have a clue as to what’s really going on.
BARRY SONNENFELD

Clue Going Life Relax
Growing up, my fascination was all things dinosaur, and as an adult, I’ve had some success making films about aliens, so this is a dream come true.
BARRY SONNENFELD

Dream Fascination Growing Up
I don’t believe in leaving a scene in because it was really hard to shoot, or because it’s the reason you took the movie, or because you always wanted to work with an actor . . . If it’s not making the movie work, get rid of it.
BARRY SONNENFELD

Actors Believe Leave Leaving Scene
I had to explain to him that it was a comedy.
BARRY SONNENFELD

Comedy Explain Learn Taught
And then through editing, and finishing the effects and adding music, you get to make the movie better again. So I’m really hard on myself and on the movie.
BARRY SONNENFELD

Add Finish Movie Music Myself
And to use my particular sense of humor, and hear people laughing, without me having to stand up in front of an audience and tell jokes.
BARRY SONNENFELD

Always Gun Joke Particular Sense The Audience
It always happens at the end that you’re always under the gun because of various schedules and all that.
BARRY SONNENFELD

Ends Gun Happen Schedules
I’m not the one or two take guy, but I’m not the 20, 30, 50, 70 take guy either. If I do a bunch of takes, like more than five or six, it’s usually for some technical reasons.
BARRY SONNENFELD

Bunch Guy More Six Take Two Usually
And my feeling was if I was going to succeed as a director, I had to just be a director and give up the safety net of being a cameraman.
BARRY SONNENFELD

Cameramen Director Feeling Succeed
I was seeing a lot of really good things about Get Shorty when it came out, and my wife pointed out that if you validate the good reviews, you also have to validate the bad reviews.
BARRY SONNENFELD

Good Reviews Things Wife
Anything I think isn’t working or might not work, I don’t even put it in the director’s cut. And usually it’s the studio suggesting I put stuff back in, as opposed to studios saying, “You got to lose 40 minutes,” they are always saying, “You’ve got to gain five minutes.”
BARRY SONNENFELD

might Oppose Studious Stuff Suggest Work
By definition a sequel can’t be original. So you’ve got to figure out what worked the first time around.
BARRY SONNENFELD

Definitions Figure Firsts Skating
There is something about being a director where, for me personally, I get to . . . it’s the closest I’ll ever come to being able to be a stand up.
BARRY SONNENFELD

Director Laughing People Personality

These movies are like my kids. I just love them to death. Some of them go to Harvard and some of them can barely graduate high school.

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These movies are like my kids. I just love them to death. Some of them go to Harvard and some of them can barely graduate high school.

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