“It’s good to keep in mind that prominence is always a mix of hard work, eloquence in your practice, good timing and fortuitous social relations. Everything can’t be personalized.”

I think what I’m trying to do is create moments of recognition. To try to detonate some kind of feeling or understanding of lived experience.

You know, one of the only times I ever wrote about art was the obituary of Warhol that I did for the Village Voice.

As with the Princess Di crash, which sent the media on the most insane feeding frenzy. From the moment of the crash, the pornography of sentiment never let up.

All violence is the illustration of a pathetic stereotype.

Seeing is no longer believing. The very notion of truth has been put into crisis. In a world bloated with images, we are finally learning that photographs do indeed lie.

Things change and work changes. Right now I like the idea of enveloping a space and getting messages across that connect to the world in ways that seem familiar but are different.

I’m trying to deal with ideas about histories, fame, hearsay, and how public identities are constructed.

I had to figure out how to bring the world into my work.

It’s a small world, but not if you have to clean it

Love is something you fall into.

I’d always been a news junkie, always read lots of newspapers and watched the Sunday morning news shows on TV and felt strongly about issues of power, control, sexuality and race.

All the gossip and craziness becomes a kind of sustained narrative which, in turn, can become history. It’s scary.

I’m an artist who works with pictures and words. Sometimes that stuff ends up in different kinds of sites and contexts which determine what it means and looks like.

I think that every so-called history book and film biography should be prefaced by the statement that what follows is the author’s rendition of events and circumstances.

It’s really hard for me to use the term ‘history’ in the singular, because it suggests a reductivist view of how moments and events congeal and reflect the passage of time. I’d rather stick to the pluralness of ‘histories’ in order to suggest the simultaneity, the parallel forces at work, which produce lived experience.

There’s a moment of recognition. It’s that white-light kind of stuff that just “works.” I love that. And you know it when it happens, whether it’s a movie, music, a building, a book.

Be a hard master to yourself – and be lenient to everybody else.

On a cold winter morning a cigar fortifies the soul.

Getting sober was one of the three pivotal events in my life, along with becoming an actor and having a child. Of the three, finding my sobriety was the hardest thing.

It’s much harder to act in a bad film than in a good one. A terrible script makes for very difficult acting. You can win an Academy Award for some of the easiest acting in your career, made possible by a brilliant script.

Whatever befalls us has its meaning; though it is often hard to grasp. In the Book of Life every page has two sides. On the upper one, we inscribe our plans, dreams and hopes; the reverse is filled by providence, whose verdicts rarely match our desire.

It’s very hard not to be condescending when you’re explaining something to an idiot.

The hardest thing you will ever do is trust yourself.

Die Hard 2 was okay. It was a little outside the template but it was okay, a hard movie to make technically. Did well at the box office. Successful.