Common-sense is part of the home-made ideology of those who have been deprived of fundamental learning, of those who have been kept ignorant.
JOHN BERGER[O]ften art has judged the judges, pleaded revenge to the innocent and shown to the future what the past suffered, so that it has never been forgotten.
More John Berger Quotes
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Deep in the nature of theatre is a sense of ritual. The cinema, by contrast, transports its audience individually, singly, out of the theatre towards the unknown.
JOHN BERGER -
Post-modernism has cut off the present from all futures. The daily media add to this by cutting off the past. Which means that critical opinion is often orphaned in the present.
JOHN BERGER -
The publicity image steals her love of herself as she is, and offers it back to her for the price of the product.
JOHN BERGER -
A drawing is essentially a private work, related only to the artist’s own needs; a ‘finished’ statue or canvas is essentially a public, presented work – related far more directly to the demands of communication.
JOHN BERGER -
Yet nowherein a zoo can a stranger encounter the look of an animal. At the most, the animal’s gaze flickers and passes on. They look sideways. They look blindly beyond.
JOHN BERGER -
Propaganda requires a permanent network of communication so that it can systematically stifle reflection with emotive or utopian slogans. Its pace is usually fast.
JOHN BERGER -
The zoo cannot but disappoint. The public purpose of zoos is to offer visitors the opportunity of looking at animals.
JOHN BERGER -
Everything became exchangeable because everything became a commodity.
JOHN BERGER -
A cigarette is a breathing space. It makes a parenthesis.
JOHN BERGER -
Drawing is a way of coming upon the connection between things, just like metaphor in poetry reconnects what has become separated.
JOHN BERGER -
You can plan events, but if they go according to your plan they are not events.
JOHN BERGER -
What do drawings mean to me? I really don’t know. The activity absorbs me. I forget everything else in a way that I don’t think happens with any other activity.
JOHN BERGER -
The extreme proposition on which Giacometti based all his mature work was that no reality… could ever be shared. This is why he believed it impossible for a work to be finished. This is why the content of any work is not the nature of the figure or head portrayed but the incomplete history of him staring at it.
JOHN BERGER -
This determines not only most relations between men and women but also the relation of women to themselves.
JOHN BERGER -
Oil painting did to appearances what capital did to social relations. It reduced everything to the equality of objects.
JOHN BERGER