I love Japan, and Tokyo is my favorite city.
BARRY EISLERAfter I sold my screenplay adaptation of ‘Rain Fall’ to Sony Pictures, I had no more creative involvement.
More Barry Eisler Quotes
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Anger, and the self-righteousness that is both the cause and consequence of anger, tends to be easier on the psyche than personal responsibility.
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From the outside, the CIA seems pretty exotic, but from the inside, it’s a big bureaucratic place. Think ‘post office with spies.’
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The two most important things to do for self-defense are not to take a martial arts class or get a gun, but to think like the opposition and know where you’re most at risk.
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Publishing for me is a business, not an ideology.
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The City. Can’t you hear it? People. Machines. Even thoughts so thick your bones feel it and your ear almost catches it.
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I can understand the allure of a venerable Big Six imprint, of a shot at the New York Times list, of a publisher-sponsored book tour, of seeing your hardbacks in bookstores and your paperbacks in supermarkets.
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If you focus on the risks, they’ll multiply in your mind and eventually paralyze you. You want to focus on the task, instead, on doing what needs to be done.
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It would be awesome to be so impressive that we could sway people to our way of thinking just by declaiming our thoughts, but probably most of us lack such gravitas. Luckily, there’s something even better: evidence, logic, and argument.
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If the reader cares, I dont think it matters so much whether your hero is in fact an anti-hero.
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The post office actually achieves its mission. I wish we could say the same of the CIA.
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I wandered the earth a mercenary, daring the gods to kill me but surviving because part of me was already dead.
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When I wrote my eighth thriller, Inside Out, in 2009, the villains were a group of CIA and other government officials who colluded to destroy a series of tapes depicting Americans torturing war-on-terror prisoners.
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After I sold my screenplay adaptation of ‘Rain Fall’ to Sony Pictures, I had no more creative involvement.
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The National Surveillance State doesn’t want anyone to be able to communicate without the authorities being able to monitor that communication.
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The job of the screenplay is to identify and extract the essence of the story from the novel and reconfigure it for the screen, maintaining its essence in a different vehicle.
BARRY EISLER