“Paper publishers are doing everything they can to slow the transition to eBooks because, in a digital world, paper publishers’ high hardback margins essentially disappear.”

The movie is someone else’s art. But it’s great marketing for books.

Overall, one of the things that excites me most about self-publishing is that the highest-value use of my time in promoting the books will be found in writing more of them.

I love Japan, and Tokyo is my favorite city.

It would be awesome to be so impressive that we could sway people to our way of thinking just by declaiming our thoughts, but probably most of us lack such gravitas. Luckily, there’s something even better: evidence, logic, and argument.

If the reader cares, I dont think it matters so much whether your hero is in fact an anti-hero.

If you focus on the risks, they’ll multiply in your mind and eventually paralyze you. You want to focus on the task, instead, on doing what needs to be done.

The two most important things to do for self-defense are not to take a martial arts class or get a gun, but to think like the opposition and know where you’re most at risk.

After I sold my screenplay adaptation of ‘Rain Fall’ to Sony Pictures, I had no more creative involvement.

I make a good living selling hardback books through paper publishers and I have many friends in the industry who will suffer as it changes, so on a personal level the transition to digital isn’t something I welcome wholeheartedly.

I can understand the allure of a venerable Big Six imprint, of a shot at the New York Times list, of a publisher-sponsored book tour, of seeing your hardbacks in bookstores and your paperbacks in supermarkets.

The job of the screenplay is to identify and extract the essence of the story from the novel and reconfigure it for the screen, maintaining its essence in a different vehicle.

Publishing for me is a business, not an ideology.

The National Surveillance State doesn’t want anyone to be able to communicate without the authorities being able to monitor that communication.

The City. Can’t you hear it? People. Machines. Even thoughts so thick your bones feel it and your ear almost catches it.

From the outside, the CIA seems pretty exotic, but from the inside, it’s a big bureaucratic place. Think ‘post office with spies.’

I have a long-standing interest in what I like to think of as “forbidden knowledge”: methods of unarmed killing, lock picking, breaking and entry, spy stuff, and other things that the government wants only a few select individuals to know.

Around 20. I’d been trying to transition from the streets to the music business, but I would make demos and then quit for six months. And I started to realize that I couldn’t be successful until I let the street life go.

We are always in transition. If you can just relax with that, you’ll have no problem.

I’m just saying the producers and people who work on music are getting left out – that’s when it starts getting criminal. It’s like you’re working hard, and you’re not receiving. In any other business, people would be standing before Congress. They have antitrust laws against this kind of behavior.

I guess when people ask what is the biggest transition to the NBA from college, it is definitely defense and the mental part.

The Ping 51-degree makes for a nice transition from the irons. On my 60, it says 8 degrees of bounce, but I grind it to about 5 or 6 degrees. I tried a head with less bounce, but it just didn’t look right.

Markets are lethal, if only because of ignoring externalities, the impacts of their transactions on the environment.

Most creativity is a transition from one context into another where things are more surprising.

Absent significant regulatory or tax changes, and a sharp transition could be disruptive.