When I met Steve Kaufman, I thought he was Gene Simmons, but what an artist talent he is. He will be an art force in the art world to deal with.
ROY LICHTENSTEINPop Art looks out into the world. It doesnt look like a painting of something, it looks like the thing itself.
More Roy Lichtenstein Quotes
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Organized perception is what art is all about.
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I’m never drawing the object itself; I’m only drawing a depiction of the object – a kind of crystallized symbol of it.
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There must be something about art… almost all cultures have done art. It’s a refining of the senses, which are there to keep us alive. As far as we know, no other animals do that.
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We like to think of industrialization as being despicable.
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There are certain things that are usable, forceful, and vital about commercial art. We’re using those things – but we’re not really advocating stupidity, international teenagerism, and terrorism.
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All of it had an impact – as did happenings – because I could see that art was changing from expressionism, which I was doing at the time, or thought I was doing. But it wasn’t the direction I really wanted to go.
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Use the worst colour you can find in each place – it usually is the best.
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You have no idea where reality is, so to have an idea of what people think is pretty hard.
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I was at Rutgers University, and that was a center for Fluxus in a way. But it wasn’t what I was interested in.
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My use of evenly repeated dots and diagonal lines and uninflected color areas suggest that my work is right where it is, right on the canvas, definitely not a window into the world.
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People mistake the character of line for the character of art. But it’s really the position of line that’s important, or the position of anything, any contrast, not the character of it.
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A number of artists have done things with Mickey Mouse – including Claes Oldenburg and Andy Warhol. He’s such an American symbol, and such an anti-art symbol.
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Im not really sure what social message my art carries, if any.
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I kind of do the drawing with the painting in mind, but it’s very hard to guess at a size or a color and all the colors around it and what it will really look like.
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I take a cliche and try to organize its forms to make it monumental. The difference is often not great, but it is crucial.
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All my art is in some way about other art, even if the other art is cartoons.
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Im interested in what would normally be considered the worst aspects of commercial art.
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Painting stems from a sense of organisation, the sensed positions of contrasts. Not that it is about this.
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Yes, you know sometimes, we started out thinking out how strange our painting was next to normal painting, which was anything expressionist.
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I think its the tension between what seems to be so rigid and cliched and the fact that art really cant be this way.
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Picasso’s always been such a huge influence that I thought when I started the cartoon paintings that I was getting away from Picasso, and even my cartoons of Picasso were done almost to rid myself of his influence.
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Art doesn’t transform. It just plain forms.
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Usually I begin things through a drawing, so a lot of things are worked out in the drawing. But even then, I still allow for and want to make changes.
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Pop Art is industrial painting.
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Pop Art looks out into the world. It doesnt look like a painting of something, it looks like the thing itself.
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We’re not living in a school-of-Paris world, you know, and the things we really see in America are like this. It’s McDonald’s, it’s not Le Corbusier.
ROY LICHTENSTEIN