Awards don’t really mean much.
UTA HAGENOnce in a while, there’s stuff that makes me say, That’s what theatre’s about. It has to be a human event on the stage, and that doesn’t happen very often.
More Uta Hagen Quotes
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If you want a bourgeois existence, you shouldn’t be an actor. You’re in the wrong profession.
UTA HAGEN -
The actor must know that since he, himself, is the instrument, he must play on it to serve the character with the same effortless dexterity with which the violinist makes music on his. Just because he doesn’t look like a violin is no reason to assume his techniques should be thought of as less difficult.
UTA HAGEN -
We had a relationship that lasted 44 years. Herbert and I lived together 10 years before we were married. He always gave me a little heart for whatever anniversary.
UTA HAGEN -
This concept must be changed; we must realize in our bones that almost everything in time and history has changed except the human being.
UTA HAGEN -
Keep pace with the present. Take a trip to the moon. envision the future.
UTA HAGEN -
Marlon was so sensitive, you thought the poor guy just had a bad education.
UTA HAGEN -
Working with Brando was fun. It was like a tennis match. We played unbelievably well together.
UTA HAGEN -
I love playing Chekhov. That’s the hardest; that’s why I love it most.
UTA HAGEN -
I love going to the movies; I love watching good movie actors. They must know something I don’t.
UTA HAGEN -
Thoughts and feelings are suspended in a vacuum unless they instigate and feed the selected actions, and it is the characters actions which reveal the character in the play.
UTA HAGEN -
The knowledge that every day there is something more to learn, something higher to reach for, something new to make for others, makes each day infinitely precious
UTA HAGEN -
no work of art is ever finished, nothing is ever static, no performance is for keeps.
UTA HAGEN -
It must be noted that it is often the colleague or direct disciple of a new thinker who gets stuck in literal interpretations of the work, tending to freeze the new ideas and language into an inflexible, static condition.
UTA HAGEN -
Usually, someone who’s in a show gets me a ticket. I feel cornered. I can’t walk out if I don’t like it.
UTA HAGEN -
I’m a bad liar; I don’t know what to say backstage.
UTA HAGEN