It’s easier for the former masters to put aside the masks that hid their humanity than for the former slaves to recognise the faces underneath. Or to trust that this is not a new mask these are wearing.
NADINE GORDIMERI have failed at many things, but I have never been afraid.
More Nadine Gordimer Quotes
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The country of the tourist pamphlet always is another country, an embarrassing abstraction of the desirable that, thank God, does not exist on this planet, where there are always ants and bad smells and empty Coca-Cola bottles to keep the grubby finger-print of reality upon the beautiful.
NADINE GORDIMER -
There’s no tiling moral about beauty.
NADINE GORDIMER -
From Ernest Hemingway’s stories I learned to listen within my stories for what went unsaid by my characters.
NADINE GORDIMER -
Any writer of any worth at all hopes to play only a pocket-torch of light – and rarely, through genius, a sudden flambeau – into the bloody yet beautiful labyrinth of human experience, of being.
NADINE GORDIMER -
when it comes to their essential faculty as writers, all writers are androgynous beings.
NADINE GORDIMER -
Writing is making sense of life. You work your whole life and perhaps you’ve made sense of one small area.
NADINE GORDIMER -
If one will always have to feel white first, and African second, it would be better not to stay on in Africa.
NADINE GORDIMER -
About the joys and the courage, I really don’t know what other people think. I just know that I’ve never left Africa. I’ve lived there all my life. And one of the wonderful things, in spite of all the terrible things that happen in South Africa, is the way people continue to keep their dignity.
NADINE GORDIMER -
If people would forget about utopia! When rationalism destroyed heaven and decided to set it up here on earth, that most terrible of all goals entered human ambition. It was clear there’d be no end to what people would be made to suffer for it.
NADINE GORDIMER -
It was a miracle; it was all a miracle: and one ought to have known, from the sufferings of saints, that miracles are horror.
NADINE GORDIMER -
Exile as a mode of genius no longer exists; in place of Joyce we have the fragments of work appearing in Index on Censorship.
NADINE GORDIMER -
Can you imagine a writer in England influencing? Absolutely not. And in France? It used to be, but no more-absolutely not. France used to, at least, have writers as diplomats, but not any more.
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The creative act is not pure. History evidences it. Sociology extracts it. The writer loses Eden, writes to be read and comes to realize that he is answerable.
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Well, you know, in the fundamentalist milieu of the Afrikaners, there was a sense that they were a chosen people, that they were bringing civilization to the blacks.
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I couldn’t be sufficiently interested in human beings to be a writer if I had contempt for human beings.
NADINE GORDIMER






