Competition between women is good only if it does not prevail; that is to say if it coexists with affinity, affection, with a real sense of being mutually indispensable, with sudden peaks of solidarity in spite of envy, jealousy and the whole inevitable cohort of bad feelings.
ELENA FERRANTEA calendar, you have to calculate how much time has passed between you and the facts, the emotions to be narrated.
More Elena Ferrante Quotes
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We lie in order to tolerate our existence and, most of all, we lie to ourselves.
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Women, in all fields – whether mothers or not – still encounter an extraordinary number of obstacles. They have to hold too many things together and often sacrifice their aspirations in the name of affections.
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He was going through one of those moments that you read about in books, when a character reacts in an unexpectedly extreme way to the normal discontents of living.
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Writers, because they write, are condemned never to be readers of their own stories…The memory of first putting a story into words will always prevent writers from reading their work as an ordinary reader would.
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At most, I may write when I am disturbed by something. I have recently discovered the pleasure of finding written answers to written questions.
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Climbing the economic ladder has been very hard for me; I still feel a great deal of guilt towards those I left behind.
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I had to discover very quickly that class origins cannot be erased, regardless of whether we climb up or down the sociocultural ladder.
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It’s the people who love us or hate us – or both – who hold together the thousands of fragments we are made of.
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A calendar, you have to calculate how much time has passed between you and the facts, the emotions to be narrated.
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The rules say that to tell a story you need first of all a measuring stick.
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As a girl – twelve, thirteen years old – I was absolutely certain that a good book had to have a man as its hero, and that depressed me.
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Even as I felt myself solidly contained by the expectant looks of my children. It was the fault of the torture that my husband had inflicted. But enough, I had to tear the pain from memory, I had to sandpaper away the scratches that were damaging my brain.
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Those who write need that “willing suspension of disbelief “, as Coleridge called it.
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My work stops at publication. If the books don’t contain in themselves their reasons for being – questions and answers – it means I was wrong to have them published.
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I am the queen of spades, I am the wasp that stings, I am the dark serpent. I am the invulnerable animal who passes through fire and is not burned.
ELENA FERRANTE