“A calendar, you have to calculate how much time has passed between you and the facts, the emotions to be narrated.”

He was going through one of those moments that you read about in books, when a character reacts in an unexpectedly extreme way to the normal discontents of living.

Those who write need that “willing suspension of disbelief “, as Coleridge called it.

I have always paid careful attention to social and economic conflicts, to the dialectic – if we can call it that – between high and low. Maybe it’s because I was not born or brought up in affluence.

The fictional treatment of biographical material – a treatment that for me is essential – is full of traps.

Existence is this, I thought, a start of joy, a stab of pain, an intense pleasure, veins that pulse under the skin, there is no other truth to tell.

Even as I felt myself solidly contained by the expectant looks of my children. It was the fault of the torture that my husband had inflicted. But enough, I had to tear the pain from memory, I had to sandpaper away the scratches that were damaging my brain.

I believe that books, once they are written, have no need of their authors.

In order not to cut out a large part of one’s private life, the creative work should not swallow up every other form of self-expression. But that is the most complicated thing.

The essential, however, was to know how to play, and she and I, only she and I, knew how to do it.

I think our sexuality is all yet to be recounted and that the rich male literary tradition constitutes a huge obstacle.

I had to discover very quickly that class origins cannot be erased, regardless of whether we climb up or down the sociocultural ladder.

Certainly something had happened to me during the night. Or after months of tension I had arrived at the edge of some precipice and now I was falling, as in a dream slowly, even as I continued to hold the thermometer in my hand, een as I stood with the soles of my slippers on the floor.

I don’t have any special passion for politics, it being a never-ending merry-go-round of bosses big and small, all generally mediocre. I actually find it boring.

My work stops at publication. If the books don’t contain in themselves their reasons for being – questions and answers – it means I was wrong to have them published.

Competition between women is good only if it does not prevail; that is to say if it coexists with affinity, affection, with a real sense of being mutually indispensable, with sudden peaks of solidarity in spite of envy, jealousy and the whole inevitable cohort of bad feelings.

Is it possible that even happy moments of pleasure never stand up to a rigorous examination? Possible.

I’m fed up with the idiots… the ever-widening gap between people who know how to make movies and the people who green-light the movies.

Mankind is poised midway between the gods and the beasts.

Human history becomes more and more a race between education and catastrophe.

I don’t want people to think I’m not happy when we win – I am. But there’s a difference between being happy for the feeling of accomplishing something and being overjoyed and feeling, ‘This is it – we conquered the world.’ We didn’t. We just won a game.

My life, at least, is divided between writing and performing and mixtures of the two.

A novel is balanced between a few true impressions and the multitude of false ones that make up most of what we call life.

There’s one major difference between James Bond and me. He is able to sort out problems!

The first idea the child must acquire is that of the difference between good and evil.