black
grey
blue
red
brown
white

Matisse did neither. He clashed his colours together like cymbals and the effect was like a lullaby.

John Berger

What do drawings mean to me? I really don’t know. The activity absorbs me. I forget everything else in a way that I don’t think happens with any other activity.
JOHN BERGER

Absorb Activity Draw Else Everything Forget Happen Mean Think Thinking
In the modern world, in which thousands of people are dying every hour as a consequence of politics, no writing anywhere can begin to be credible unless it is informed by political awareness and principles.
JOHN BERGER

Anywhere Consequences Every Hour Modern People Political Politics Thousand Writing
All photographs are there to remind us of what we forget. In this – as in other ways – they are the opposite of paintings.
JOHN BERGER

Forget Opposite Other Pain Painting Photography Remind Way
A man’s presence suggests what he is capable of doing to you or for you.
JOHN BERGER

Capable Contrast Done Men Presence Suggest You
Painting is something that you need to do, if not every day, then certainly most days. It is almost like being a pianist: if you stop, you lose something.
JOHN BERGER

Almost Being Certainly Certainty Need Painting Pianist Something
When we suffer anguish we return to early childhood because that is the period in which we first learnt to suffer the experience of total loss.
JOHN BERGER

Anguish Childhood Grief Learn Loss Period Suffer Total
Unlike any other visual image, a photograph is not a rendering, an imitation or an interpretation of its subject, but actually a trace of it.
JOHN BERGER

Doe Drawing Image Imitation Life Photograph Photography Rendering Subject Trace Unlike Viewer Visual
The poverty of our century is unlike that of any other. It is not, as poverty was before, the result of natural scarcity, but of a set of priorities imposed upon the rest of the world by the rich.
JOHN BERGER

Before Century Poverty Priorities Result Scarcity Set World
But toemigrate is always to dismantle the centre of the world, and so to move into a lost, disoriented one of fragments.
JOHN BERGER

Always Centre Dismantle Emigrate Fragment Lost Move World
You are observed with interest but you do not observe with interest – if you do, you will become less enviable. In this respect the envied are like bureaucrats; the more impersonal they are, the greater the illusion (for themselves and for others) of their power.
JOHN BERGER

Bureaucrat Greater Illusion Impersonal Interest Observe Others Power Themselves
History always constitutes the relation between a present and its past. Consequently fear of the present leads to mystification of the past
JOHN BERGER

Always Constitute History Past Present Relation
A drawing is an autobiographical record of one’s discovery of an event – either seen, remembered or imagined. A ‘finished’ work is an attempt to construct an event in itself.
JOHN BERGER

Autobiographical Discovery Drawing Event Imagine Record Remembered Seen
The time of a cigarette is a parenthesis, and if it is shared, you are both in that parenthesis. Its like a proscenium arch for a dialogue.
JOHN BERGER

Cigarette Dialogue Noth Parentless Proscenium Shar Time
At times failure is very necessary for the artist. It reminds him that failure is not the ultimate disaster. And this reminder liberates him from the mean fussing of perfectionism.
JOHN BERGER

Artist Disaster Failure Mean Necessary Perfection Time Ultimate
You painted a naked woman because you enjoyed looking at her, put a mirror in her hand and you called the painting “Vanity,” thus morally condemning the woman whose nakedness you had depicted for you own pleasure.
JOHN BERGER

Enjoy Hand Look Mirror Morally Naked Paint Painting Pleasure Vanity Women
We who draw do so not only to make something observed visible to others, but also to accompany something invisible to its incalculable destination
JOHN BERGER

Calculate Destination Draws Invisible Make Observed Something Visible

Matisse did neither. He clashed his colours together like cymbals and the effect was like a lullaby.

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Matisse did neither. He clashed his colours together like cymbals and the effect was like a lullaby.

Related Topics

Popular Authors

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