“When I met Steve Kaufman, I thought he was Gene Simmons, but what an artist talent he is. He will be an art force in the art world to deal with.”

Color is crucial in painting, but it is very hard to talk about.

All of it had an impact – as did happenings – because I could see that art was changing from expressionism, which I was doing at the time, or thought I was doing. But it wasn’t the direction I really wanted to go.

Pop Art is industrial painting.

Painting stems from a sense of organisation, the sensed positions of contrasts. Not that it is about this.

There are certain things that are usable, forceful, and vital about commercial art. We’re using those things – but we’re not really advocating stupidity, international teenagerism, and terrorism.

Pop Art looks out into the world. It doesnt look like a painting of something, it looks like the thing itself.

Usually I begin things through a drawing, so a lot of things are worked out in the drawing. But even then, I still allow for and want to make changes.

Everybody knows that abstract art can be art, and most people know that they may not like it, even if they understand there’s another purpose to it.

I like to pretend that my art has nothing to do with me.

And I dont really want it to carry one. Im not interested in the subject matter to try to teach society anything, or to try to better our world in any way.

I’m never drawing the object itself; I’m only drawing a depiction of the object – a kind of crystallized symbol of it.

There is a relationship between cartooning and people like Mir? and Picasso which may not be understood by the cartoonist, but it definitely is related even in the early Disney.

But when I worked on a painting I would do it from a drawing but I would put certain things I was fairly sure I wanted in the painting, and then collage on the painting with printed dots or painted paper or something before I really committed it.

Yeah, you know, you like it to come on like gangbusters, but you get into passages that are very interesting and subtle, and sometimes your original intent changes quite a bit.

I don’t think of form as a kind of architecture. The architecture is the result of the forming. It is the kinesthetic and visual sense of position and wholeness that puts the thing into the realm of art.

People mistake the character of line for the character of art. But it’s really the position of line that’s important, or the position of anything, any contrast, not the character of it.

Zack Snyder is a huge fan of ‘Game of Thrones,’ and I met him in the training stunt facility that I train at, and I guess he really liked me because he later called me into his office, and we talked about playing Aquaman.

The Bulls talked to just about every person who ever met me.

Every woman I had ever met who walked through the world appraised and classified by an extraordinary physicality had also received the keys to an unbearable solitude. It was the coefficient of their beauty, the price they had to pay.

I had never met anyone of my own age that was a Tory, so going to university and seeing people who were Tories and who believed in what I believed in was an eye-opener.

To be around me, you must love food, or I’m the most obnoxious person you’ve ever met.

I’ve never met a girl who could stop me looking at all the others. If I did, I’d marry her.

I met my wife through playing golf. She is French and couldn’t speak English and I couldn’t speak French, so there was little chance of us getting involved in any boring conversations – that’s why we got married really quickly.

I’ve met some Evertonians in the street, and they’ve been friendly. I’ve had taxi drivers who have been Everton fans. They’ve been really nice.