I think its the tension between what seems to be so rigid and cliched and the fact that art really cant be this way.
ROY LICHTENSTEINI was at Rutgers University, and that was a center for Fluxus in a way. But it wasn’t what I was interested in.
More Roy Lichtenstein Quotes
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People think one-point and two-point perspective is how the world actually looks, but of course, it isn’t. It’s a convention.
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I take a cliche and try to organize its forms to make it monumental. The difference is often not great, but it is crucial.
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I think that most people think painters are kind of ridiculous, you know?
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But usually I begin things through a drawing, so a lot of things are worked out in the drawing. But even then, I still allow for and want to make changes.
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Yes, you know sometimes, we started out thinking out how strange our painting was next to normal painting, which was anything expressionist.
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Im interested in what would normally be considered the worst aspects of commercial art.
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You have no idea where reality is, so to have an idea of what people think is pretty hard.
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In America the biggest is the best.
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The big tradition, I think, is unity. And I have that in mind; and with that, you know, you could break all the traditions- all the other so-called rules, because they are stylistic.. and most are not true.
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My work sanitizes it (emotion) but it is also symbolic of commercial art sanitizing human feelings. I think it can be read that way….
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What interests me is to paint the kind of antisensitivity that impregnates modern civilization.
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There is almost nothing you can say that holds up as a generalization, because it depends on too many factors: size, modulation, the rest of the field, a certain consistency that color has with forms, and the statement you’re trying to make.
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Color is crucial in painting, but it is very hard to talk about.
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Color is crucial in painting, but it is very hard to talk about.
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Pop Art is industrial painting.
ROY LICHTENSTEIN