Im interested in what would normally be considered the worst aspects of commercial art.
ROY LICHTENSTEINI was at Rutgers University, and that was a center for Fluxus in a way. But it wasn’t what I was interested in.
More Roy Lichtenstein Quotes
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A number of artists have done things with Mickey Mouse – including Claes Oldenburg and Andy Warhol. He’s such an American symbol, and such an anti-art symbol.
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My work isn’t about form. It’s about seeing. I’m excited about seeing things, and I’m interested in the way I think other people see things.
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My use of evenly repeated dots and diagonal lines and uninflected color areas suggest that my work is right where it is, right on the canvas, definitely not a window into the world.
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You forget that this has been thirty five years now and people don’t look at it as if it were some kind of oddity.
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I take a cliche and try to organize its forms to make it monumental. The difference is often not great, but it is crucial.
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In America the biggest is the best.
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And I dont really want it to carry one. Im not interested in the subject matter to try to teach society anything, or to try to better our world in any way.
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All my art is in some way about other art, even if the other art is cartoons.
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Outside is the world; it’s there. Pop Art looks out into the world.
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Color is crucial in painting, but it is very hard to talk about.
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Picasso’s always been such a huge influence that I thought when I started the cartoon paintings that I was getting away from Picasso, and even my cartoons of Picasso were done almost to rid myself of his influence.
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I was at Rutgers University, and that was a center for Fluxus in a way. But it wasn’t what I was interested in.
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Yeah, you know, you like it to come on like gangbusters, but you get into passages that are very interesting and subtle, and sometimes your original intent changes quite a bit.
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All of it had an impact – as did happenings – because I could see that art was changing from expressionism, which I was doing at the time, or thought I was doing. But it wasn’t the direction I really wanted to go.
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There are certain things that are usable, forceful, and vital about commercial art. We’re using those things – but we’re not really advocating stupidity, international teenagerism, and terrorism.
ROY LICHTENSTEIN