I’ve never not been sure that I was a photographer any more than you would not be sure you were yourself. I was a photographer, or wanting to be a photographer, or beginning – but some phase of photographer I’ve always been.
DOROTHEA LANGE… it came to me that what I had to do was to take pictures and concentrate upon people, only people, all kinds of people, people who paid me and people who didn’t.
More Dorothea Lange Quotes
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… it came to me that what I had to do was to take pictures and concentrate upon people, only people, all kinds of people, people who paid me and people who didn’t.
DOROTHEA LANGE -
It is not enough to photograph the obviously picturesque.
DOROTHEA LANGE -
I trust my instincts. I don’t distrust them. They haven’t led me astray. It’s when I’ve made up my mind to be efficient that is when I have gone wrong.
DOROTHEA LANGE -
Photographers stop photographing a subject too soon before they have exhausted the possibilities.
DOROTHEA LANGE -
While there is perhaps a province in which the photograph can tell us nothing more than what we see with our own eyes, there is another in which it proves to us how little our eyes permit us to see.
DOROTHEA LANGE -
The camera is an instrument that teaches people how to see without a camera.
DOROTHEA LANGE -
The visual life is an enormous undertaking, practically unattainable.
DOROTHEA LANGE -
Sometimes in a hostile situation you stick around because hostility itself is important.
DOROTHEA LANGE -
Bring the viewer to your side, include him in your thought. He is not a bystander.
DOROTHEA LANGE -
This benefit of seeing…can come only if you pause a while, extricate yourself from the maddening mob of quick impressions ceaselessly battering our lives, and look thoughtfully at a quiet image…the viewer must be willing to pause, to look again, to meditate.
DOROTHEA LANGE -
Pick a theme and work it to exhaustion… the subject must be something you truly love or truly hate.
DOROTHEA LANGE -
The good photograph is not the object, the consequences of the photograph are the objects. So that no one would say, how did you do it, where did you find it, but they would say that such things could be.
DOROTHEA LANGE -
No country has ever closely scrutinized itself visually.
DOROTHEA LANGE -
We know by now how to photograph poor people. What we don’t know is how to photograph affluence – whose other face is poverty.
DOROTHEA LANGE -
Photography is a lot like telling a large predatory cat what to do-while an audience of people you can’t see watches you.
DOROTHEA LANGE